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A few months ago, I was developing another set of music theory, combined with internal examinations to make me stop composing. Now I probably finished this theory, then, I would like to compose music for a lot to prove the feasibility of this theory. I have been unable to explain their works, as I hope you will use their hearing to understand it, I think this is the sub-level comments. This work was likely to disappoint you, hope you can forgive me MARTIX overture

I've noted some works need more attention and several listening in order to understand them better, first plackback may sound boring, confusing, too fast, too slow etc, sometimes we question the structure without even understanding it well. So I made this poll with those questions.

Ou I see, a "Matrix" theory by "Dark Angel" .... sounds rocking great ¡¡¡ By the way, has your "Dark Angel" nickname something to do with Jessica Alba ? ... no ?

Matrix is a musical term that I created from the new musicial theory , I have also completed a paper this theory in detail dissatisfied release. Thank you for your support darkangel

No, It didn't dissapoint me, Is very classical and simple but is not bad, Where is the "matrix" thing ? A few things I saw: You can use treble clef for cellos if necessary, In page 8 last bar, there are violins with 5 tremolos ?, all violinist will play 3 most (well that's a tiny unimportant thing isn't it?) Bassoon page 28 low G note = -> There is a long silence at the end of the recording, if you're using sibelius delete the empty bars.. Well, in overall view, I think you harmony is too common but well applied, is better to stay in the "known" area and write something good that go to far and write just nonsense, I feel a "dependence" of the woodwind-strings with eachother, try to break that by creating stronger lines/motif in one of those sections without doubling it in the other, because the colors of sounds are being reduced due to the similarity of instruments are playing it.... ......If you draw a line in color Red, and then you draw a line in Color Green in the exact same position, how many colors do you see ? .... one, only one, ... a composed color yes, but is only one, if you draw different lines you'll be able to see the Red and Green easily. Keep going Dark, it is good.

Thanks for the comments guys. They were very helpful.

UPDATE: I've added the Space Lab recording and a fresh score with some subtle detail changes.

Is there a score available? The strings are lovely here. I like the ostinato-like patterns. My favorite section, however, was when the slow strings were all that was left. The ostinato died away and all that was left was this beautiful chorale-like string section, very nice indeed! However, before that, it took me an entire minute to lose interest. Dynamics are needed! Also, some more interesting writing in the brass. You have some nice horn lines which are being obscured by the strings (a mixer issue). Keep writing! Lets see how this thing progresses.

A woodwind quintet based on the old English folk tune "Kingsfold" transcribed by Ralph Vaughan Williams. Several popular church hymns use this tune such as "I Heard the Voice of Jesus Say" and "O Sing a Song of Bethlehem." It is a quasi-fantasia style with the melody being constant throughout being traded amongst the different instruments as events in the music allow. This piece is slated for a reading by "Space Lab", a New York City-based Woodwind quintet dedicated to solely new music, next month on January 21, 2010. Comments welcome and do enjoy! Kingsfold