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Showing content with the highest reputation on 07/30/2018 in all areas

  1. Wow, what a great piece! I find it coherent, modern, beautiful "v¡everything" (harmony, melody, rhythms). Also very nice extended techniques here and there, very effective. The sound is not so bad... I think the balance between the three instruments is very good, the three take the leading voice alternatively all the time. The minutes went very quickly I didn't realize it was coming to an end. Congratulations! About what is to come in your life... I don't know what your feelings are (not my concern, sorry). So I hope the best. I believe you have the music inside yourself. So you'll make it go out in the future. This piece is the proof. I hope you can stay in touch ...
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  2. Good! So take it as an opportunity to dig deeper and develop!
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  3. I really think the piano could use some velocity differences and humanized timing. Also it's kind of thin on it's own. Maybe a different sample or consider lower accompanying chords. Too much reverb and delay – dial it down and send the delay to the reverb as well. Low strings in the intro could do well with some dynamic CC riding. Too static. I don't know reFX Nexus but maybe it's just moving the mod wheel up to phrase it. The effect on 0:34 comes WAY out of left field. Dial it down and maybe send it to a room reverb (what's called ER). It's a night and day difference between where the piano and strings sit and where the effect comes. To ease the listener you could maybe do a reverse-reverb trick leading up to the effect, so we know that somethings coming the first time. Drums could do with some ER's as well. The string melody on the other hand is a strange choice for sound. Other than it's lacking the same dynamic shaping as the cello and doesn't emphasize your nice turns in the melody it doesn't break the phrase anywhere. If this is the best sample you've got you could try EQ'ing it so the highs stand out more (this can also very well be done with a saturation plug-in of any kind). You could also double it (unison or at the octave below) with a legato saw lead, any woodwind sample or a more tightly attacked string sound. Thanks for sharing!
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