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Showing content with the highest reputation on 07/31/2018 in all areas

  1. Just two short parts. I wanted to write "emotionally" using contemporary tools. I think most contemporary idioms are linked to ancient ones (in music). @Rabbival507 The second part (2:35) uses the In Sen scale all the time in the right hand (except a few passing notes), and also in the left hand but less. I think you called this scales Miyako Bushi.
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  2. Work in progress! Well... so this year is my graduation recital and I wanted to finish with something "big" (Yeah, some weirdly restriction that limits the amount of musicians we can have on the recital) Scored for a chamber Orchestra. Every comment is helpful! 1 Flute 1 Oboe 1 Clarinet 1 Bassoon 2 Horns Strings
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  3. This is the second installment of my pieces that were previously published here on Young Composers forum but got deleted during the renovation of the website in late April - early May 2016 and that I am choosing to publish again. As the pieces number 181, I am being cautious at to what I publish this second time. Concerning this set of sententiae, what distinguishes them is that they are the first set of sententiae I ever composed. Therein lies their importance. I think that of the six sets of sententiae for string quartet that I have composed, this is still the best set. Here's how I introduced the pieces back on April 10, 2013 when I first posted theme here: 'Sententia' (plural: 'sententiae') is the Latin for the word 'sentence'. I am naming these pieces 'sentences' since they are pieces that do not manifest any trace of development, nor do they aim to do so. All they do is utter a statement, a sentence - which the Oxford dictionary defines as "A series of words complete in itself as the expression of a thought ... conveying a statement, question, exclamation, or command." a definition which perfectly applies to these pieces. I chose the Latin word 'sententia' to name them because its meaning is broader than its English translation of 'sentence', defined as it is as "meaning, sentence, maxim, epigram" - the other three definitions also applying to some degree to the kind of piece that I have in mind, a piece that is more substantial than a simple, straightforward (and often inconsequential) sentence. Of these three sententiae, my favourite is the second one, which is also the one that I think the most completely embodies my idea of a 'sententia' (the first one still somewhat utilizing the formulas of my soliloquies and bagatelles with its repeat and clear ending, while the third one shows a hint of development). I am posting them as a group since I believe that sententiae, being short and devoid of any development, are best presented in a group. Yet each sententia is complete in itself and in the musical idea/feeling/thought that it seeks to convey. Here's the link to the first old deleted piece that I shared: https://www.youngcomposers.com/t36633/three-fugatos-for-harpsichord-op-222-old-deleted-piece-1181/
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  4. you've taken me on a breath taking journey. I slowed my breathing throughout your song. I mean you've surpassed anything I have done yet so I can't say anything. Lovely piece. I have nothing else to say.
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  5. Q: How did you create the video for it?
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