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It has been a blank period for my composing during both past half months, but finally I could get again into composing and finished today this fugue in F-sharp minor (which by the way seems to be my favorite key now). It's my first one in which the subject and countersubject are in actual invertible counterpoint (at least, I think) with me deliberately intending so. Hope it gets to be relatively decent. Also, in case anyone reading this would like to help me a little, I have recently downloaded harpsichord-exclusive soundfont and would need some advice discerning among this new one and the previous one I already had, in terms of which one is more accurate to the sound of the harpsichord. So I have provided another MP3 file of this fugue with the "New Soundfont" tag to contrast, for you to leave your opinion in regards to which one sounds better. Thanks in advance!

Here is my piece for the Secret Santa event. I finished it. And very quickly too. EDIT: @Left Unexplained said that I had to include the topic that I got as well as my piece, so here is the topic I got:

Hello, this is a piece for piano and voice (I use clarinet instead here). The text is shown in the pdf 🙂 I'd be happy to know what you think.

I edited it just now to include the topic.

I think the end would be better if there was a stronger V-i feel(or V7-I). Other than that I can't really give you an analysis of the counterpoint, I'm no master.