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Showing content with the highest reputation on 07/08/2020 in all areas

  1. This piece is only made using chords. This is just an experiment. feedback expected.BTW Inspired from chopins e minor prelude.(op 28 no 4) https://flat.io/score/5ecfa73218c179027f492cdd-warning-cursed-audio
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  2. Here's another sad theme. It is the follow-up to a very horrendous piece that I wrote (titled "piece"). This piece was a bit rushed... but I think it has a nice melody. Oh and btw, it's a little over 2 years old.
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  3. Hi Noah. I'm a newb here and thought I'd listen to some music! I like some of the chromatic scoops you include in the strings especially in your overture. They definitely add to the lighthearted feel of the composition. I like the horn intro too.
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  4. Hello. I'm a newb here and I'm not sure if anybody has said this about this specific piece or any of your music, but if you want to focus on longer compositions, write for smaller ensembles or for piano solo or piano with a solo instrument or two. Then if you really think the musical material justifies it you can orchestrate it later for a larger ensemble. I liked your symphony. It's wacky and unique. I'm not sure if in writing a symphony you intended to write something more epic and grand. For that you could write some well placed and orchestrated tutti sections. As it stands it's very linear and melodic but usually in a symphony there are also well placed accompanying harmonies to fill in the sound and make it sound more full. 1:41 in the woodwinds is a good example of that. I guess I just mean you could bring more meaning to your orchestration by having the melodic material require the orchestration to be more full sometimes and more sparse at other times. Same as you'd expect the melody to dictate when the instruments should play loud or soft I guess. I hope this post makes some sense...
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  5. I don't know if I would call this a piece. I think it is a really great chord progression
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