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HoYin Cheung

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HoYin Cheung last won the day on March 2 2018

HoYin Cheung had the most liked content!

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About HoYin Cheung

  • Rank
    Advanced Member
  • Birthday August 2

Contact Methods

  • Yahoo
    alexcheung2009@yahoo.com.hk

Profile Information

  • Biography
    An amateur composer which jots down notes to record musical ideas /personal experience that is worth reminiscing.
  • Gender
    Male
  • Location
    Hong Kong
  • Occupation
    Student
  • Interests
    Mathematics; Composing
  • Favorite Composers
    Chopin, Rachmaninov, Bartok, Shostakovich
  • My Compositional Styles
    Neoclassical; Chromaticism
  • Notation Software/Sequencers
    MuseScore 2.3.1
  • Instruments Played
    Violin

Recent Profile Visitors

2,366 profile views
  1. I agree that I should have added more rhythmic odds to the piece. Yes, I should have developed more on the "broken" aspect, like what Debussy did in his La Valse. However, different from his work, I tried to end the piece in a classical, or a bit cheerful ending, because that I wish the best for the future of Hong Kong and the hope for it to get out of the crisis. That being said, in the theme restatement I have added tritones to suggest there are still some hidden instabilities after the crisis that listener should be alerted of. Wish you the best too.
  2. Dear all, If you have read the international news, you may have noticed the situations of the Hong Kong protests. In absurd times, conscientious men dance to weird Waltzes. And I have written one. Any comments are appreciated. Thank you. Best, HoYin
  3. @shamirtheviolinist I searched for frame designs online, made the background of the picture transparent, and inserted it as a picture in Musescore. Anyways, I am glad you like the concerto:) Which part do you like the most or need improvement? Again, I appreciate your comments.
  4. Hi everyone, This is my first Violin Concerto (Movement I). Unlike usual Violin Concertos, this concerto starts with a slower tempo and more momentum is added as the theme develops. There are 3 main themes in this movement: Lyrical The Wind Opening Theme, Solo Violin Theme and Harp theme in Section H. All the themes join each other at the closing passage. Being a violinist, I have long dreamt of composing a Violin Concerto under my name. Doubting my composing skills, I didn't have the confidence to even start composing it until I think I have a glimpse of the composing world. Piano Concerto No.1 and Romance prepared me for that. Anyways, I couldn't believe I have finally done it partially! I am currently drafting the proceeding movements. Hope you like it! Any comments are appreciated:) Best, HoYin
  5. That's amazing! The voice is pleasant to listen to, and the work is like a sophisticated Broadway musical:) The emotions build up effectively. Love it.
  6. Just by listening to the opening, I initially thought that it would be tranquil, relax-music-type throughout the piece. But it isn't I love how well-redeveloped the motive is, and the way you build up the emotions considering it is a short piece. It sounds like a couple who have been separated for a long time because of a war, but they don't have much time to share their experience as they have to leave each other again. So desperate but got relieved knowing the beloved half is still alive and safe.
  7. Hello Everyone, After some years of struggle, I finally have the confidence to compose a concerto for my instrument, Violin. As opposed to my previous Piano Concerto, this time I included the Brass and Woodwind sections to make it more orchestral. It starts with slow themes and with around 3-4 minutes of development, it enters the faster section. If this movement would be at least 10-12 minutes long, do you think it builds up quick enough to draw the attention of the audience? I planned to make it the first movement, but I doubt if it is a good choice since most of the Violin Concertos start with a fast movement (e.g. Allegro Moderato). Moreover, do you think my orchestration is satisfactory? Is the theme attractive? It would be great if you can leave some comments as I really want to know if I am on the right track. Thank you:) Best, HoYin
  8. I love the theme! Even it is just part of the movement, I can feel the warmth and reminiscence of my youth (when I was still a high school student).
  9. @Monarcheon @Quinn Yes, for sure there should be 5-6 timpani or it wouldn't work well, I guess. And 2-3 players required, too. I should have specified more clearly on the score. At most excerpts, the phrase is going up or keep alternating between 3-4 notes. So to make it playable, the players may have to distribute their parts well, such that one of them can be playing while others are re-tuning their timpani, and so on.
  10. I would praise Moritz Moszkowski too Moritz (Maurice) Moszkows (1854 - 1925) was a German composer, pianist, and teacher of Polish-Jewish descent. I particularly like his Piano Concerto No.1, because of both the breathtaking melodies and well-balanced arrangement. Although I am not a pianist. but I can see his works are great for pianist to show off. Also: Ernest Chausson (1855-1899) was a French romantic composer. His wrote a few orchestral pieces, concerti as well as ensemble works. Personally, Poème for violin and orchestra is very nice.
  11. Hello Everyone, This is another experimental etude I wrote recently. The whole piece consists of many modulations. Again, there are syncopations and irregular time signatures. I have included some notes in one of the pdfs. Hope you like it and I appreciate your comments! Best, HoYin
  12. Hello Everyone, I wrote this piece out of boredom today and is sort of an experimental piece on timpani and the effect of chromatics and scale stacking. Hope you enjoy it! Best, HoYin
  13. I am glad you love this piece. In fact, I am a violinist but I am more used to compose piano works. I am touched by renowned piano concertos so I decided to write one in my style. Perhaps my melodies are a bit stack and are hard to perform it, so I often overlook the technical issues. I would give pianists more freedom on pedals, but my works are even made to create a harsh-sounding ambiance. So there are less assigned pedal markings. And it is more important to make the melodies stand out (often the highest notes and seconds in higher registers should be emphasized also).
  14. Hi everyone, I have finished composing the Second Movement of my Piano Concerto No.1. This is my first attempt to write a slow movement for piano. Hope you like it and any comments are appreciated! Thank you! Best, HoYin (P.S. Link to 1st Mov.: )
  15. Glad you enjoyed the piece! And that's out of my expectation for such a long analysis for my piece. Thank you. I will fix the technical issue you mentioned too.
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