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tentoria

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  • Content count

    12
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About tentoria

  • Rank
    Member

Profile Information

  • Gender
    Male
  • Favorite Composers
    Eric Whitacre, David Lang, Gjeilo, Lauridsen, Esenvalds
  • My Compositional Styles
    Choral, Electronic, EDM, Film
  • Notation Software/Sequencers
    Sibelius, FL Studio, Ableton, Logic Pro X
  • Instruments Played
    Piano, Voice
  1. Is there a way to notate aleatoric sections of music on sibelius? Maybe I'm missing it, but I can't seem to find anything to bracket or parenthesize the noteheads or draw an arrow after them. Any help on this would be greatly appreciated! - Pat
  2. O magnum mysterium

    Hey Sojar! Loved the counterpoint it was really interesting and fiery! Reminds me a lot of Wolfram Buchenburg's music!
  3. A Fantasy

    @Marc O'Callaghan Thanks for pointing out the large gap between the basses and sopranos, I myself am a pretty low bass, and I love the way open voiced chords (as in a lot of Eriks Esenvalds' pieces) sound, although I forget to think about how hard they can be to sing/ tune for amateur voices! Now that you pointed it out, it makes a lot of sense about the octaves/ fifths, as there may even be room for a countermelody or something else! @Adrian Quince Thanks for the feedback! As I've listened back to the recording, I agree that the quick dissonances in the soprano, especially in the climax, are really difficult to tune, and almost sound like errors sometimes! As far as the difficulty level, my professor sent it into his publishing house, and they told him that it is a little too easy for college and too difficult for all except the best high school choirs. They said it would be really difficult to sell and publish because of this!
  4. A Fantasy

    Hi all, I wanted to share this piece with you all! I wrote this for a local competition for a community choir, and it's the first piece I wrote. I ended up showing it to my college choir director and he programmed it for us last year! I'd really like feedback on how to make this more friendly for high school voices, as it's too easy for college choirs and too difficult for high schools with all of the part splits, but I feel like the piece really relies on the open voiced chords in the climax. Any thoughts on that would be greatly appreciated! My parents recorded it with their iPhone, so the video quality isn't the best, but I figured that voices in any sense would be much better than midi. The piece starts about a minute into the video. Thanks for your thoughts! - Pat
  5. Lux aeterna

    I really, really love the color you use in this piece as far as harmony goes. The chord changes and sudden tonicizations are just wonderful, it reminds me a lot of Ola Gjeilo's writing. The piece really has a peaceful mood, and it works quite well. I was almost wishing that a forte or climactic section happened a bit later in the piece, than the first couple of phrases. Then again, a calm mood for the whole piece may have been what you were going for, as a lot of Lux Aeterna settings are very peaceful. I think in the context of a whole Requiem Mass, it would be enchanting. About your struggles with the text "cum sanctis tuis in aeternam", I think it would be really cool to play with the idea of building up to a big cadential moment on that text and then completely interrupting it with the solo you wrote. I really like the ending too, as I feel it's certainly open ended enough to go into another movement if you keep writing the mass! Beautiful job all in all!!
  6. O Vos Omnes

    @kvitske thanks so much! Regarding your first bullet, I set the words in a way that I thought would show the longing of someone in pain seeing "all you people" walk by and ignore their pain, so I think that's why I lingered on that text a bit. I completely agree about not giving too much attention to the next set, I'll probably end up re-working that section a bit! Also thanks so much for pointing out the voice leading issues. I think adding those notes you suggested would really help make it a bit easier to sing. Thanks so much for the feedback! @Adrian Quince I really like your suggestion about the altos handling the dissonances at the beginning, I think that will lead to a better balance too! The whole 8 part thing was actually because I have no idea how to use sibelius well haha. I tried to split into 8 parts at m. 60, but every time I tried to collapse the pages before that into 4 staves, the whole project would really become a mess that I didn't know how to fix. As for the breath marks in m. 70 and 72 are most definitely supposed to be a kind of lingering pause, is there a more clear marking to use for that? Thanks so much for your thoughts!
  7. Alma redemptoris Mater for mixed choir

    This is really beautiful! I love how you stayed very true to the chant but added in your own flavor to it, it's really quite unique!!
  8. O Vos Omnes

    @Gustav Johnson Thanks so much! Unfortunately, I don't have a website or anything to share my music on, as this is the only piece of mine I've recorded with real voices before!
  9. O Vos Omnes

    Hey @Monarcheon! Thanks so much for the feedback! I was actually really inspired by Monteverdi's vocal writing and Bach's stile antico writing for a lot of the parts where there are suspension chains, so I realize that things are not resolved or led correctly but I guess it was more of an affect kind of thing! - Pat
  10. O Vos Omnes

    Thanks so much for the kind words. It means so much! - Pat
  11. O Vos Omnes

    Hi everyone! This is my newest composition, and only my third, I wrote it for a competition, so I had a few friends record it with me. The quality i far from professional, but i'm open to all feedback and would really appreciate it!!
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