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gh0stwrit3r

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About gh0stwrit3r

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    Member

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  • Website URL
    https://youtube.com/c/gh0stwrit3rMusic

Profile Information

  • Gender
    Male
  • Location
    Netherlands
  • Favorite Composers
    John Williams, Jerry Goldsmith, John Powell, James Horner, Alexandre Desplat
  • My Compositional Styles
    Orchestral
  • Notation Software/Sequencers
    Logic Pro X
  • Instruments Played
    Drums & Piano

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  1. How to mix woodwinds, brass, percussion and the piano and harp in a realistic orchestral mockup? That is the question that I'll answer in this video. I'll show you my workflow, the plugins that I use and why and how I use them. Hopefully this will give you some guidance when mixing your own orchestral mockups.
  2. How to mix strings in a realistic orchestral mockup? That is the question that I'll answer in this video. I'll show you my workflow, the plugins that I use and why and how I use them. Hopefully this will give you some guidance when mixing your own orchestral mockups.
  3. With todays video we start a new chapter of the FREE masterclass Realistic Orchestral Mockups: Mixing! I will discuss my philosophy on the concept of mixing, exporting midi and importing audio and three plugins that I almost always use on my master bus: Voxengo Span, iZotope Insight and iZotope Ozone Imager.
  4. Thanks @Guillem82! I've used Spitfire Audio Symphonic Orchestra as a VST for this one. The opening is indeed very simple, but quite effective. It gives the listener some trust and hopefully a confident feeling (adoption of the rhythm in the piece). I will do a walkthrough video soon of this track on my youtube channel and planning to share the project files (midi mockup etc), so you can have a detailed dissection of it 🙂
  5. This is true epic music. Hard hitting hits, mighty brass (in my opinion you can make that louder) and fast ostinatos. Sometimes it is a bit messy. There is so much going on, certainly when you also give the choir a prominent role. I have a hard time keeping up with it. The piece could benefit from adding some more quiet parts in it, playing with the orchestral dynamics. The use of (hybrid) transitions. I would welcome those. I don't like the piano, but that can be personal. May I ask what libraries you did use -> Metropolis Ark is my best guess?
  6. Thank you so much for this review! You are much better schooled in this than I am (self taught, I compose by ear). So I'm humble that you took the time to listen and respond. And that you gave me some positive criticism that will help me develop my work 🙂
  7. A good orchestral composition with bad orchestration choices will never give you the great result you had in mind. So you need to learn some basic skills of orchestration. That means you have to read some stuff (I highly recommend The Principles of Orchestration by Rimsky Korsakov), analyse film scores and learn to transcribe. In this video I'll address my orchestration choices which I made while writing the orchestral music track Show Opener. Hopefully they are worthy to you.
  8. Today Sunshine Tales, my latest orchestral music track, has been released. I'm really curious what you think of it. Love to hear!
  9. In this video we get a little bit personal. The microphone balance (settings) is a matter of taste. Some people like the big stage sound with lush strings and ambience. While others love the intimate much more dryer sound of a small room. In my opinion there's no wrong or right, it's a matter of what fits your composition the best. By the way, you can still download all the project files (midi-mockup, libraries list, orchestral template) and start rebuilding the orchestral music track in your own DAW.
  10. We’re already at week number 5! This video is about 'How to get a tight sounding orchestra'. A topic that many of you were waiting for. Cause when you do this right, you will be able to get that PRO orchestral sound that we all want. Just by simply using the delay functionality in your DAW to get that spot on timing of all your orchestral instruments. Next week I’ll cover the microphone settings and how to get a good sounding microphone balance.
  11. The video of week 4 is live now! In this one I talk about EQ-ing (cleaning up your orchestral instruments). And of course I share with you an updated project file in which you can find my EQ settings. Next week I'll cover the concept of dealy and how to use this to get a tight sounding orchestra.
  12. During this masterclass we dissect one of my tracks called 'Show Opener'. The projects files which are available for free can give you some ideas about composition, orchestration etc.. But that is something different than writing an entire symphony. It's more about the basics and principles and how to use sample libraries to get a realistic sounding orchestral mockup. But you can follow the videos as long as you think it is interesting for you. Or just pick certain videos based on their topics and your interests. By the way, last video was about balancing the orchestral instruments in your template. Crucial to get a good sounding realistic orchestra.
  13. After a great start of the FREE masterclass ‘How to create a realistic orchestral mockup’, the responses last week were massive! Lots of people joined, downloaded the project files and follow me along during the upcoming weeks while we rebuild my original composition Show Opener. I released a new weekly video of this masterclass (always on Thursday) and made a new project file available to download. We’re building up an orchestral template first. If you haven’t joined yet, feel free to do. You’re welcome to participate! Cya next week!
  14. I love writing orchestral music for film and videos. Spending hours in my DAW (Logic Pro X) to create realistic orchestral mockups. A challenging adventure that gives me so much joy and satisfaction! But I also know that it takes time and a lot of effort for starting composers (or composers not familiar yet with this kind of genre) to get the hang of it. How great is it then to look over the shoulders of someone who is one step ahead of you. And is willing to share his knowledge and experiences. That's exactly what I intend to do with this free masterclass. Reaching out to help you getting better in creating realistic orchestral mockups, orchestration and writing orchestral music for film and video in general. Showing you how I made this track, how I did the panning, balancing, EQ-ing etc. Which libraries. How I mixed and mastered it. Sharing the project files (midi mockup) so you can rebuild the music track in your own DAW for either further learning. I'll post a video every week on Thursday on my Youtube channel. Feel free to join. In this first video you can pick up the project files and prepare yourself for the upcoming videos. On my channel you'll also find the music track which we're gonna rebuild: Show Opener.
  15. Hi all, I've been working on a little orchestral composition lately and I was wondering if there is any interest in me making in depth walkthrough videos of it. Showing you how I made this track, how I did the panning, balancing, EQ-ing etc. Which libraries. How I mixed it and mastered it. And if you're interested in getting the project files (midi mockup) so you can rebuild the music track in your own DAW for either further learning. The music track is included in the video. Love to hear from you 🙂 https://youtu.be/rKiRwPzx1vM Greets, David
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