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Left Unexplained

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Left Unexplained last won the day on November 26 2019

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About Left Unexplained

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  1. I want to get away from large, continuous blocks of sound. This piece may be their last stand before I change lol.
  2. dramatic emotional thriller / horror, kind of one that leaves you conflicted. Like a hitchcock thriller. I think the answer might just be become a better composer, I get that you can't really give an answer to this question realistically looking back on it.
  3. How do you make scarier sounding music? Any advice would be helpful, maybe some chord relationships that are scary or something
  4. Thank you! Yes I would agree in retrospect, maybe I could have added more tonics or fifths in the orchestration. Also I think the lower 3rd on the violas is slightly out if tune which kind of brings the problem into closer view.
  5. thanks for your kind words friendo :)
  6. wow!!!! cool sounding piece! very well orchestrated and the harmonic movement was fresh. Very lush and powerful at the same time. Great work!
  7. starts off slow but boy does it pick up. I like the way you develop your themes.
  8. I wonder if we can swear in different languages on here... hmm
  9. lol i thought this said "control anger using midi"
  10. This is my favorite recording of my favorite moment in music history so far. Debussy, in my opinion, is a genius yet to be matched or even fully understood (there is no Debussian school). The way he navigates harmonically is amazing to me. I don't think my description can do it justice, so just listen.
  11. Keep going with this new mojo it will take you places
  12. wow caters, you have really progressed in your last few works! I rarely enjoy strictly tonal music but you made it sound very good. The runs remind me of rapids and the flow overall reminds me of a river. I am very impressed 😊💪👍
  13. really like 0:36. the run at 1:40 is dope. Atonal isn't really my thing but you make it work pretty darn well. Good job.
  14. I like the very free harmonic modulation, although I think it could be taken a bit further.
  15. wait no its not the super locrian with a flat seventh sorry, its the lydian with a flat 7th that is a mode of the super locrian. I think Debussy uses it a lot in sirenes
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