maestrowick

Interesting. I like it. might even love it. I think I want it to have the full orchestra and not just strings but I get why you did that. I would love to hear this with all the different colors though. Yeah, I might love this...

The String Quartet makes up of three melodies I have used before I orchestrated them for Symphonic Suite No. 1. five movements: 1) Chorale and Prelude 2) Webern (2:28) 3) Cantabile (4:05) 4) Giacoso (6:11) 5) Gigue (7:23)

Man, this is the start of something beautiful. This starts as a american style march. I think it's DYING for either that recapitulated A section to either be in a different register or added counter melodies. Something needs to be different. The modulation to Ab needs to be notated and the Coda needs to be MOLTO BRILLIANTE! It's missing that final stab. you tweak this, this could be a standard! My 0.02.

Not really dramatic: It does flow however like video game music. (nothing is wrong with that) 1) Write the strings for full orchestra, not violins. 2) with the aforementioned, make sure you write "divisi" so they know how you want it played (if you wanted that) 3) Your piano part seems more improvised than an actually melody. If that is the case then write the changes so the pianist knows.

Updated a better mix: my first mix SUCKED!!😀

can you attach a pdf of the score so I can provide a better analysis, please :) ?

Score?

Score?

I am a flat-out romantic

Score?

🙂 Thanks!

1) Your VSTs are awesome 2) Your harp part does have some significant problems. Why are those arrows on the top of the barlines like that? That's not where it goes. They should be next to the notes. By default, the gliss goes up so you don't need to do that. It's already understood. Additionally, you have some five note parts in the right-hand which is a major NO-NO!! The most notes the harp can play at one time is eight, not ten. Also, you don't want to stretch hands generally more than an octave. Tenths are a pain especially when you add other notes in it which don't allow the harpist to play chords easier. 3) Melody I see is NOT your problem. They are gorgeous and so catchy. That is a gift. Add some counterpoint to strengthen your melodies. Maybe a clarinet during that harp solo? Countermelodies (CM) are missing in this overture. You actually won't need to write something new because you have enough melodic material to borrow from. Example: Even in this theme, he develops density although there's not a strong CM in the first introduction of theme. but notice how he changes the color with the flute. The CM is faint but the movement in the strings and harp are clear. At 2:29, the horns have the CM. It's VERY present. Then at 3:02, it's VERY present as he builds density by adding the trombones. This is why it works. The themes are clearly developed. Even in an overture, the themes are developed; it's not a snapshot.

Fondamentalment, homophonie est les memes chose à les cantiques. basically, Homophony is the same thing...or same principals that make hymns. I am glad I can teach something! :)

Merci! Je essaient de parler français depuis un moment. Je n'ai jamais le parler ici cependant. Aussi. Postez plus de votre compositions si vous plait! Thank you! I have been trying to speak French for a while. I never get to speak it though. Also, post some more of your work!

Here is my piece for Voice and Orchestra featuring Robert McNichols, Jr.