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  1. Hello Everyone! I'm Emile, I'm 18 years old and I'm from a little island called Aruba in the Caribbean. I'm really passionate about Music, I'm a Classical/Romantic Composer/Pianist and started to compose when I was 12 and started with the piano at 14(able to play late Beethoven sonatas). And I've started to try my best to be known out there currently working on a piano concerto in f minor, string quartets and I'm looking forward to meeting all of you and getting involved in the great things happening here on this forun. This is the 12 variations on a theme in C major. But this is the 11th Variation! this is my first Toccata and First Fugue! this toccata took me several weeks and i was inspired by the intro of his Choral Fantasy when i first listened to it! and i decided to dedicate this to Beethoven because I finish the piece a day before his birthday. Dedicated to (Departed) Ludwig van Beethoven, Birthday of the Year 2023 P.S - The 3 voice fugue is not in strict form it's a wander/sonata form 12 Variations and Nocturne for Viola and Piano on a theme in C Major.mid
  2. Hi, "Piano Miniature" is a composition of mine that I wrote some years ago. George N. Gianopoulos was kind enough to publish it on his Youtube channel. I hope you like it and would be thankful for any thoughts.
  3. Nikolaos Dimopoulos - Aria Of Shadows Hi everyone! I am new here and I am very happy to join this forum! As a new member I'm hungry for honest feedback! So, this is one composition of mine with choirs, orchestra and a fast waltz finale! Good listening!
  4. Hi all, A few weeks ago I posted a piece called Ninlil. I liked it too much to leave it just as a short piece stuck there all on its own. I always had the idea that it was a musical depiction of Ninlil, the Mesopotamian Goddess of the sky and in this incarnation, representing the wind. I started thinking of a suite of short pieces to represent various goddesses connected to the weather. So here is the second piece in the suite, "Elurra" . It's the Basque word for snow. The goddess in this case is Mari, La Dama de Murumendi. An ancient Basque goddess responsible for wintery weather. Here she is merrily making the world white. Hope you like it 😊 Listen to Elurra by Mark McDonald on #SoundCloud https://on.soundcloud.com/p8syo
  5. I was rummaging through my bag of misfit music and thought someone might enjoy this short little waltz I composed a few years ago. It was from back when I was learning my DAW (Sonar 8.5.) I've never updated Sonar because it never crashes and just works really well. Like the old saying goes; "If it ain't broke don't fix it". It was very frustrating for me learning all the techie stuff in Sonar and I still barely know what I'm doing. Anyway, enjoy! -Rick
  6. Hey, it's been a minute I wanted to experiment writing something Canon-esque, drawing inspiration from Canon in D. It's written in ternary form, with the A section in Eb major, the B section in Bb major (with some minor moments) and returns back to Eb major for a repeated A section. It's very basic, and no where near performance ready, but I've been on this site for a while, but afraid of composing, so I guess this is my plunge lol. Upon review, I have noticed some technical errors, but this was just for fun and to get my feet wet and I just wanted to get some feedback. Thank you
  7. Hello all, I haven't posted a piece in a little while so thought I'd share one of my favourite recent works. This piece was written for a young composer competition here in the UK. It was shortlisted (!) and as such I was lucky to receive an astonishingly high quality recording by a period string quartet. I then decided to submit it to the Youtube channel TheExarion for the August 2022 Original Compositions video. Did anyone else from this forum enter a piece? It's a fantastic collection of almost 9 hours of new music! Rather than uploading the score and recording for copyright reasons, I have linked TheExarion's score video below. Hopefully the video will start from my piece, but if not, you can skip to 07:36:00. (There is also a programme note and performance note in the score-video, but I can copy it into a post if anyone would prefer.) Hope you enjoy the piece, and any feedback will be much appreciated!
  8. The second movement of this World War Two symphony expands on the Nazi theme introduced in the last half of the Prelude movement. This German-styled march evokes a celebratory tone as the Nazi war machine rapidly advances its way through Western Europe, paving the way for a new Third Reich. Please let me know what you think about this piece that was composed and sequenced entirely on the Roland FA-06 Workstation and recorded on the Tascam SD-24. I did some light processing with Audacity. SoundCloud: https://soundcloud.com/david-fox-490685567/world-war-two-symphony-movement-two-blitzkrieg?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
  9. 1. Playtime link This is the first movement of six for a string quartet. The entirety of the piece is based on the relationship of four siblings as they grow up, each instrument representing a sibling. The first movement is the birth of the two eldest, hence it being simply a duet. I would love feedback on it and how to make it better. Is it too short? Does it end too abruptly? Does it need more of a recurring theme or melody than it has?
  10. This World War Two symphony opens with the Prelude Movement, which paints a bleak picture of the world as it was just prior to the outbreak of war in Europe. This first of six movements introduces the Allies theme and then the German theme, which slowly builds to the Nazi theme. Please let me know what you think about this piece that was composed and sequenced entirely on the Roland FA-06 Workstation and recorded on the Tascam SD-24. I did some light processing with Audacity. https://soundcloud.app.goo.gl/JiTty MOVEMENT ONE - PRELUDE.mp3
  11. F. Adebiyi - Piano Sonata No.3 in G# minor https://youtu.be/pZyRqg9jTA8 All feedback welcome.
  12. Hi, I've composed a sketch of a mazurka, it's in progress at the moment, so please let me know if the harmony or melody could be improved. What do you think of the orchestration of solo piano? Attached are the pdf and midi files. Thank you, DoYourDailyDuo Mazurka.mid
  13. Here the link to the albums: Sinfonia di Perle Music Power Musica Pianistica I hope you enjoy.
  14. Fuga a 3 in g minor.mp3I recently have been reading and working through Jacob IJzerman's "Harmony, Counterpoint, Partimento" which I highly recommend, and I was inspired to write some short 3-voice fugues, mostly just to see if I could write them convincingly. Here's one of them. I scored it for flute oboe and bassoon so that the different parts could be heard easily.
  15. Hi, I wrote this little nocturne a while ago and would be thankful to hear what you think about it. I have also made a youtube score video, please follow the link provided below. https://www.youtube.com/watch?v=_v_yiDuJQMA
  16. https://www.youtube.com/watch?v=AyIq_apZTZc&feature=youtu.be Aditya's new tune composition for review, not sure how to convert it to notes in pdf files
  17. Hi everyone! I am a 17 year old composer looking to improve and share my music! I love creating music and leaving my footprint on the musical world :). After a brief hiatus and a sudden burst of inspiration, I completed the second movement of my biggest (yet) composition project - a suite made as an hommage to minimalism. This is turning out to be some of the coolest music I have ever written, and the most proud I have been of my own music yet. If you have not heard the first movement - Groove in 5/8 - yet, check it out on my profile! I hope you enjoy "Amongst the Ocean on a Speedy Sailboat"! Let me know your thoughts, criticisms, and what you imagine when listening to it, as well as your favorite parts!
  18. Hello! Here is a new piano sonata allegro movement that I've written during the pandemic. I'd welcome any feedback you might have. 🙂 Dan
  19. I have written a small classical waltz for the piano in G major. It goes through a few minor changes throughout the duration of the work. Please feel free to give me any criticism at all. I am looking to improving the work (possibly posting on this thread an improved version later). I will not describe my intentions because then it tells you what to imagine (same reason to why I do not name my compositions). Thank you for your time.
  20. This is an updated version of a concert overture I wrote in CPE style (mostly Classical Era style, with a bit of Romantic flair, and an ending that veers wildly into other territory) a few years back. I fixed a few mistakes in the score and added a better sound file. All comments and criticisms are welcome! I hope you enjoy it. Thanks for listening.
  21. Hello everybody, i am new here! My name is Leonardo and i am 17 years old, i am a young composer looking for some feedback! https://www.youtube.com/watch?v=V5zGgmj1ilY I would like to share this with you, hopefully you have some time left in your day and you could take a look at it! It took me 6 months to make. If you want you can comment under the video or on this site, does not really matter! Let me know what you think 🙂
  22. First of all I will show the corrected version of the piece, right here: It is scored for 1 flute, 2 oboes, 2 clarinets, 2 bassons, 2 high horns in C, 2 trumpets in C, timpani (C,G,D,A), and strings. The compositiong plays around themes exposed in a sort exposition. The tonal travel is C-->G for the exposition then Cm-->Abm-->A-->F-->Bb-->(Gm-->Bbm-->C#m-->Em)x2 and finally the reexposition in C major. The movement is in sonata form, but is has some surprises. If you have any feedback please leave a comment. Version with mistakes:
  23. Hello, I play piano since 10 years with a teacher and I try to learn composition by myself. I read some books about harmony, it is a bit hard for me. I think I will try to learn counterpoint soon. This is a very short and simple piece I composed to practice : https://www.youtube.com/watch?v=KEWll4yVbRg I am very impressed by the quality of the works in this forum. I am posting here because I am searching for some advices to progress and learn how to compose more elaborated pieces. Please excuse my mistakes of english, I am french. Thank you
  24. Academic Music A server for analyzing and sharing compositions of others or your own, discussing music theory or instrument/voice technique, and asking questions about classical music. We provide a hub of ideas and discussion with the hopes of providing sophisticated feedback to make skillful and confident musicians. Please share this server to any fellow musicians you know! Features -A community of over 1400 musically inclined people and professional musicians -Free classroom-style lectures on topics in music theory -Channels for each instrument category, and vocalists -Channels for posting your or others' pieces for analysis and feedback -Active music theory education and experimentation -Discussion about the history and cultural context of classical music from the Middle Ages to now https://discord.gg/sjpwcjv
  25. Here is my new piece, a Piano Chamberto (Chamber concerto), for Piano, Oboe, Clarinet, Horn and Bassoon. This has been a long project, my most ambitious piece to-date in terms of complexity - I'm really glad to have finished it at last! 🙂 The goal was to use a format similar to Classical-era Piano concertos, but with a reduced set of instruments. Please let me know what you think! Dan
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