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  1. Since moving to Queanbeyan, I've enjoyed the nature surrounding there. This was made from the impression I've got there.
  2. Hi all, Been working on this for a while as an exercise in sonata form and, specifically, development. Since it was an exercise, I kept the language very tonal so I didn't have to worry about dealing with more contemporary techniques. Would love to know what you think. Thanks!
  3. TURN DOWN YOUR VOLUME Working on hooking my Roland LX-15e up to my computer to start recording! Be patient my friends! Also, any advice or thoughts are greatly appreciated!
  4. Will be uploading an .mp3 of myself performing soon Sorry for the poor audio (TURN THE VOLUME DOWN)
  5. This is my second attempt at a divertimento in the classical style. It's meant to be a light and enjoyable work for a small string ensemble (I tried to make it possible for either a quartet or a larger section). I'm primarily doing these divertimentos as exercises in improving my four-part writing. One of the unifying factors between the movements is a consistent emphasis on weak beats throughout the piece, although I may have gotten a bit carried away with this aspect. I also sneaked a few bVII chords in to a couple of the movements. Let me know what you think! Thanks for listening.
  6. this is the piece I newly composed, hope everyone like it.
  7. A few days ago I shared my Concertino for Alto Saxophone - which was my first post here - and received very useful feedback. So useful that I am planning to share more! Piano Sonata No.2 in F major, Opus 16. As the title already explains, the composition is for solo piano. Beethoven's and other classical composers' music has had a huge influence on this piece and me. I think (so this is just an opinion) the best way to master composition is by imitating the various styles of composers and then develop your own style of writing. Only then you can understand why music is how it is and how to compose it. Feedback would be very nice! Kind regards, Maarten Bauer
  8. What specifically do you do to plan out a development section in sonata form? Should the modulations and the order of the themes/fragments follow any sort of predesigned logic (other than 'mix them up')? The keys that should be used are mainly what's bothering me, mostly because my modulations tend to sound forced to me, especially in the development section.
  9. This is a concert overture I came up with extremely quickly over the past week or so, based off of themes I rejected for a larger project I'm being a bit more picky about. It's mostly in the classical or early Romantic style and follows sonata form pretty closely, with a repeated exposition, a development, and an altered recapitulation. Thanks for listening!Concert Overture in Bb Major.pdfConcert Overture in Bb Major.pdfConcert Overture in Bb Major.pdfConcert Overture in Bb Major.pdf
  10. Hello - I'm back, with four very short piano pieces for your enjoyment and valued criticism! It's been a very sad year, but emotion is at the core of creativity ! The first piece is dedicated to my grandparents both of whom we lost this Autumn. Currently in the works is a piece for woodwind and timpani, which is intended to depict a battle, but we'll see how that goes... Dan
  11. This is a work for solo viola in the classical (or maybe Late Baroque/Mannerist?) idiom responding to @danishali903 's request for original solo viola music. It was (kind of obviously) inspired by Bach's famous Prelude to the Cello Suite No. 1. The chord progression and 'melody' are based on the first movement of a piece that I uploaded to the old version of the site, "Three Simple Songs" for violin with guitar accompaniment (I think this has now been lost). Generally, I think the tone of the piece is pretty suitable for a hospital floor. I watched the bowings for Bach's Prelude and it made me feel pretty confident that there should be no slurs in this one, but I wonder if it wouldn't get tiring to hack away at a viola for nearly five minutes straight. I'll defer to better judgments on this and other aspects of difficulty/plausibility. One final thing: the 9/8 time signature had me a bit confused about how to mark the tempo. Right now, it's marked "Moderato" because the dotted quarter notes come at about 100 BPM. However, it feels more like an Allegro or even Vivace tempo, and when I put it through my sound library, it automatically marked it as 150 BPM in (non-dotted) quarter notes. Which way is correct? Sorry for the book. Thanks for listening!
  12. you can listen my piece here --- Snowy Christmas in Colorful Bells Composed and arranged this sound from fragments of melody Jingle Bell & Deck the Hall carols. I wrote the score and intended to play and record it on piano only, but due to lack of tools for recording I couldn't make it with quallity, so my brother helped me arranging it with program and I added bells and claps. Please tell me your review and feel free to listen.
  13. Here is a symphonic poem about the month December for large orchestra. Enjoy!
  14. I wrote this a few years ago and I still think it's one of my best works. I initially planned on writing a symphony, but I ran into writers block during the 2nd movement and decided to just release movement 1 as a standalone overture. (I eventually did complete a full 4-movement symphony a few months ago, but not based at all on this material, nor in the same key.)
  15. I started this piece around the time I was taking advanced theory in college. I was trying to compose a tune that sounded "classical", and I wrote the first half quickly. Around the cadenza I was stuck for a few months until I finally found some inspiration in a new friend of mine. The musicians in the recording were great and were able to produce what you hear on a time constraint. Let me know which composer(s) you think I was trying to imitate. I hope you enjoy!
  16. hello everyone, i m back with my new piece, just listen to it, appreciate it and comment on it.
  17. Hi everyone! Here's my piece for flute, violin, cello, and piano, called "Mystic Lands". It's a rondo, but when the A section returns, the instrumentation, harmony, and accompaniment are changed. I also wrote it for a class, so I had to use different harmonic techniques for each section: -For the opening section, I used static harmony/pedal tones. -Letter A uses polychords with major and minor triads. -Letter B uses added note chords. -Letter C uses polychords consisting of seventh chords, quartal structures, quintal structures, and clusters. -Letter D uses compound chords (meaning various intervals are combined to create a non-tertian voicing). Hope you all enjoy!
  18. This is a Classical symphony I recently finished. I started off with the idea of writing something in the style of Stamitz and the Mannheim school, but more Haydn/Mozart influence came in as I went along. It's not really a pastiche, though; there are some harmonic things in the developments that are not really characteristic of the style, and it's very much written with modern instruments in mind. Any feedback would be most appreciated.
  19. Hello The childhood period was short. I am remember joys, pains and suffering in the latest the childhood period. I wish it composition be lovely for you and share it to your best friends.
  20. This one is I newly composed, hope you like it.
  21. These are my other two piano solos composed recently, wish you like them. And @Monarcheon, welcome your commentation.
  22. Hi guys, This is my first time posting on this site, it looks to be a great place for composers. I'd like to share with you the second movement of my first piano concerto, I'm eager to hear what you think. Unfortunately it's recorded through Sibelius so it doesn't sound all that authentic. Thanks, P. M. Joyce
  23. Here is another chamber sonata in three movements, this time for flute and piano. Let me know what you think!
  24. This sketch was up to study how to write instrumental accompaniment for a simple chorus, how to write different variations of a melody, and of course, what sequence I should use. The lyrics are from the medieval ages by Albert Csanády, and it could be used as a sentence of a Christmas oratorio, or something like that. Again, I say it's just an attempt or sketch that I upload, and I'm up to get adives or criticism, in order to get the accompainment, the melody or the sequence better, according to classical construction style. Thank you!
  25. Hey everyone! Please let me share a newly recorded version of my composition "The Sea". Don't know If this is the right place for it, but it's a guitar composition so I thought It would fit well in the chamber music althought it's not a typical chamber music piece. There's a nice story behind this, I was at the summer vacation in Croatia and I once brought my guitar to the beach with me, it was in the late evening and the beach was all empty. And while I was listening to the waves and playing some harmonies that had the "sea feel" to me, a family of strangers sat so near to me as If they wanted to listen to my playing while watching the sea. After a while they left and so I thought that maybe they didn't like it, but they soon came back to the exactly same place near to me with a blanket and stayed there until I left. So I thought If they like it, I should make a composition out of what I was playing and this is it. It's played by me and the waves in the background are recorded in Ireland by my friend. I hope you'll enjoy! :)
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