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Found 57 results

  1. My sonatina for flute and piano, In general this piece mix brazilian rhythm like baiĆ£o, choro and maracatu with some modern techniques of composition.
  2. Guest

    Opus 12

    My first orchestral piece finally done! Opus 12 is written for modified orchestral ensemble consisting of : Piano, Woodwinds : flute, oboe, A clarinet Brass : French horn Percussion instruments : glockenspiel, vibraphone, tubular bells, triangle Strings : violins 1, violins 2, violas, violoncellos and contrabasses. and harp. Composition consists of first part (moderato - E major/C sharp minor), second part (F major/D minor) and third part - modified first part. Since I'm a complete amateur high school student, any helpful hints and comments are very welcomed! Score in PDF format coming soon. For more music please visit : https://www.reverbnation.com/mademoisellelilaclucrezia
  3. Guest

    Opus 11

    Opus 11, written for piano, flute, harp, triangle, glockenspiel, harp and violoncello. You can take a listen to this piece here :
  4. This composition was created in 2004 for here presented quartet. So far it is quite successful: performances in Slovenia, Croatia, Belgium, USA, New Zealand; published by ALRY Publications and won a prize by National (American) Flute Association in 2014 as the best flute ensemble piece published in USA. I can't complain at all When composed, I also considered it as one of my finest chamber composition. It was pretty bold for me back then, today I'd probably try something even more daring. The title refers to yearn for something that seems impossible to reach but eventually it happens!
  5. When I'm composing for full orchestra, I often find that I have trouble writing parts for the Woodwind section. These are some of my favorite instruments as far as their sound goes, but I just can't seem to write very "elaborate" or "high quality" sounding parts for them. Any tips or tricks would be appreciated. Thanks!
  6. Hello I am writing a piece for 4 flutes. Each flute moves up in glissando patterns to create microcanons. I was speaking to my tutor about this the other day and he said that simply going from a low not to a high note via glissando on flute is limited because of the fingerings. My original plan was going from a low F to a high D sharp. with all the tonal and microtonal qualities in between. What is problematic about this? If I am starting from an F what is the highest note I can reach via glissando? Thanks
  7. Saw this and thought I'd give it a post here in case anyone is interested. (: Announcing the 2014 Eighth Annual International Anthem Competition of the First Baptist Church of Worcester, Massachusetts. Scoring for SATB choir with flute and organ accompaniment for a prize of $1550.00 US funds. Complete guidelines are found at http://fbc-worc.org. First performance will be in 10:00 AM worship on May 4, 2014 with Chancel Choir, flute, and organ under the direction of William Ness. Winner announced in March 2014.
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