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Showing results for tags 'prelude'.
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Hello everyone, I am back, this is my new piece of music, hope you like it and welcome your commentation.
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This is the piece I newly composed, hope you like it.
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- prelude
- impressionism
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Hello everyone, I'm back, this is the piece I newly composed, hope you like it.
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There is my 3-part fugue in G major. What do you think? EDIT: I finally composed a short prelude
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Hello everyone, this is the piece I newly composed, it depicts the mental state of a psychotic, hope you like it, and @Luis Hernández welcome your commentation.
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Hello everyone, I am back, this is my new piece, hope you like it.
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Hello everyone, I am back, this is my new piece of music, hope you like it.
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- impressionism
- prelude
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Hi everyone! Here's my very first finished piano composition: Prelude no. 1 in G minor (named "Psiche"). I know there are some parts that sound bad...I'm still working to fix them. Hope you like it, but still...any suggestion or criticism is very appreciated!
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Hello everyone, I'm back, this is the piece I newly composed, hope you like it
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Prelude.mp3 Prelude.pdf A short prelude for marimba and flute.
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This prelude in c minor is part of my endeavour to write a small collection of six preludes in various imitative styles. It follows a more associative development typical for imitative-figurative preludes of baroque music and is heavily indebted to this article by Vasili Byros, “Prelude on a Partimento” (http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.byros.html). However, this prelude is not based on a partimento but on a simple plan I devised myself. The score still needs some improvement, but should be readable. As this prelude has a really baroque feeling, I opted to use a harpsichord soundfont, “Petit Italien“ from Soni Musicae. (see: http://sonimusicae.free.fr/petititalien.html ) Critique and other comments as always welcome!
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Hello fellow composers, I was recently afforded the opportunity to perform a recital of my own works and decided afterwards to record a couple of them in a home setting. This is a collection of relatively brief solo piano preludes. It's a rather unusual work for me, as I generally tend towards longer, more developed chamber music. These are more like independent, fleeting ideas. This collection moves chromatically from C through B, alternating between major and minor. The musical style would be right at home in the 19th century, which is the period of music that I most appreciate. My personal musical preferences definitely lie with the conservative branch of that period, and my writing reflects that. Unfortunately, I am not comfortable sharing the score. It's not that I don't trust the established members of this community, but rather that I don't trust making my scores available to anyone in the world at a time when the work has not been performed far enough afield to prove beyond a doubt that it is my work. After having a colleague be forced to go to court to deal with a music thief, I am not willing to endure the stress and expense of doing it as well. My apologies to those who would have liked to see it. If only we lived in a world where everyone was honest.
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- solo piano
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I've been revising older works of late, particularly my earlier piano pieces. This is the third of a set of three pieces where each work emulates one of the major old style of Western Music (Baroque, Classical, Romantic). It's a someone free-wheeling, highly virtuosic work (I've been told that an earlier version may not have been playable which I've since tried to address) and is essentially a piano transcription of the ending of another work of mine for violin and orchestra. I recently acquired some nice piano sounds which I also tried out on this work (VI Labs Ravescroft 275). Score is attached but as always, it's a bit messy.
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In my ongoing project of composing six small preludes, this one was very difficult to write for me and I am not very satisfied with the result. Basically, it is a canon from measures 1-11 with the upper voice leading, and and then a canon from measures 12-30 with the lower voice leading. M. 1-6 and 12-17 are virtually identical with the voices just exchanged and once in the tonic, then in the dominant (double counterpoint). The tonal plan is C Major -> G Major -> e minor -> G Major -> C Major. Very simple, but it was a new experience for me to change keys in a canon. I wanted to compose it with a hint of moto perpetuo movements, but this didn’t work out. So, without further ado, the prelude in its current state:
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To improve my skills, I am now in the process of writing a set of six small preludes for piano (or any other keyboard instrument with a range of four octaves) with a contrapuntal flavour. Four of them are somewhat finished, and one of them is this prelude in d minor that is planned as number 6 of the set. It has a rather simple structure that in the literature is sometimes described as reminding of simultaneous double fugues, because the main building block is a small subject and an fixed accompaniment in double counterpoint, quasi a countersubject. The subject and countersubject visit in a quasi-fugal way several keys; these visits are connected by sequences that use some material from the subject or countersubject, though sometimes the relationship is difficult to see or hear. I am still a bit unconvinced by the sequence connecting the subject in g minor and the reprise in d minor, but haven’t found a better solution. The same for the final cadence. Please feel free to comment, criticize etc. -
would like your feedback on this I want to publish this as a track it is an orchestra of strings
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This prelude was inspired by an autumn walk. Any kind of criticism is welcome! Prelude 1 Op.2.mp3
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Hello artists! I'd be very glad to show you a bit piano piece I did some years ago Of course, any comment or suggestion, you will be welcome
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- tonal music
- josep
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A prelude from some time ago played by Anna Sutyagina.
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A circular piece.
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A prelude.
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TURN DOWN YOUR VOLUME Working on hooking my Roland LX-15e up to my computer to start recording! Be patient my friends! Also, any advice or thoughts are greatly appreciated!
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Will be uploading an .mp3 of myself performing soon Sorry for the poor audio (TURN THE VOLUME DOWN)
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Prelúdio e Fuga (SAT).mp3 This is a Prelude and Fugue for recorder trio (soprano, alto and tenor). I composed it for a trio (which was a quartet, but one person gave up) I would take part in, but then the whole group "ceased to exist" without a single rehearsal with everybody (= 3 people). The Prelude and Fugue continues to existe, but now without a concrete destiny. Hope you enjoy^^ OBS: I changed the VST to flutes because Garritan's recorder sound is a scream of pain from hell. OBS2: I didn't put dynamics, articulations or anything else because I'm lazy.
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Before presenting my submission to the Contest I post here a little piece that shares the dedication to Rossini with the Variations. Here I don't quote any theme, and I refer mostly to the Rossini author of keyboard music.
