Cappielly Posted June 18, 2016 Share Posted June 18, 2016 (edited) For Viola, Cello and Contrabass. Edited June 18, 2016 by Cappielly MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Canon > next PDF Canon Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted June 19, 2016 Share Posted June 19, 2016 I like it. The choice of viola, cello and bass is risky, but expressive. In bar 15 there's a tritone: C# + F#... I don't think it's bad, but in the context is dissonant. Quote Link to comment Share on other sites More sharing options...
Cappielly Posted June 19, 2016 Author Share Posted June 19, 2016 Thanks Luis. I always appreciate your comments. Quote Link to comment Share on other sites More sharing options...
fishyfry Posted June 24, 2016 Share Posted June 24, 2016 Beautifully expressive. You use quite a lot more chromaticism than I had expected, and it is much appreciated. As a little note, the bass part has two low Ds, which would require a C-extension to play. This is no big deal, but it could be an obstacle if you were ever interested in having real musicians perform this piece, as not many non-professional players would have acces to one. You may already know all this, I just thought I'd mention it in case it was important. Quote Link to comment Share on other sites More sharing options...
Cappielly Posted June 24, 2016 Author Share Posted June 24, 2016 Thanks fishyfry. Quote Link to comment Share on other sites More sharing options...
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