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Sing-song


DeL

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Sing-song

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VI to i chords are generally considered a little bit odd in functional harmony (until the end of the Renaissance era), without any sort of dominant backup.
I have no idea what happened around 1:15; if they're wrong notes, or you wanted a double layered major minor dominant chord, but it was a mess.
The repetition of rhythmic is good, but might be too much; you only really give 16 bars of actual differing chordal harmony until the end which is a shame.
It's fine, but arcs don't always need that long to build. It sounds like a good introduction to something else.

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