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Luis Hernández

Revenge - Venganza

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A little piece I wrote.

 

Venganza_.pdf

Venganza.mp3

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Harmonic language is good. If there's one thing I can comment on right now, it's the use of negative space. Sometimes I think there's too much of it, especially when everything else flows so nicely. This is especially apparent in the quarter note triplet measures that do not have the syncopated bass. This obviously doesn't include held measures; that worked well enough.

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I think this music, taken as language, has an endless series of non sequiturs which give it a stilted feel and leaves the listener with the question, What are you doing? What are you trying to achieve here? It might be different if there was a payoff in the overall work, a punchline so to speak, or at least a sign post or two along the way. But there is none.

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I understand what you say, but I think there are many many ways to organise a composition. In other words, I don't need a punchline or a conclusion to make this and to find a meaning (for me, of course). I guess there are different feelings about music.

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I'm glad you understand, as I wouldn't suggest that you didn't intend it to be anything other than what it is.

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