jawoodruff Posted February 26, 2020 Share Posted February 26, 2020 I set out to challenge myself with this particular work. As chromaticism is a strong component of my musical language -I decided to do away with it for this particular episode. The transitions are more seamless and are derived from fragments of the ending section (something I'm becoming fond of doing, to be honest). The score is a tad messy -but I'll provide a clean copy eventually. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Episode_no._4 > next PDF Episode_no._4 Quote Link to comment Share on other sites More sharing options...
Left Unexplained Posted February 26, 2020 Share Posted February 26, 2020 reminds me of meditating. I really like 3:50's section. Quote Link to comment Share on other sites More sharing options...
Jean Szulc Posted February 27, 2020 Share Posted February 27, 2020 The idea that starts at m.5 reminded me a lot of "City of Stars" from the soundtrack of La La Land. When I read the initial post I felt "Oh boy, what have they done to our @jawoodruff and his chromaticism". Well, after listening to it I felt "Oh, there he is". Anyways, it still sounds a lot like you and I love it. The only thing I feel is kinda awkward in this are the caesuras you used in the initial idea. It feels like running out of air a bit, so I would love to see them pedaled through. Quote Link to comment Share on other sites More sharing options...
jawoodruff Posted February 29, 2020 Author Share Posted February 29, 2020 Yeah, those are there mainly to help render the fermata hold in musescore. I don't like how the notation software does that and didn't feel like adjusting the tempo for those bars. Should probably have hid them 😛 Quote Link to comment Share on other sites More sharing options...
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