Sepharite Posted February 29, 2020 Share Posted February 29, 2020 Here’s a little solo I created. I wanted to give it the style of Hisaishi. I hope I did it some justice! MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Piano Solo > next Quote Link to comment Share on other sites More sharing options...
Tomer13 Posted March 3, 2020 Share Posted March 3, 2020 (edited) I am not familiar with Hisaishi style. But after listening to your piece I really want to. It's a great piece of art and i really loved it. I just think you can add more to it at the end. Edited March 3, 2020 by Tomer13 1 Quote Link to comment Share on other sites More sharing options...
Monarcheon Posted March 6, 2020 Share Posted March 6, 2020 It's a particular style, definitely. I get a little bored of the use of direct appoggiatura suspensions. For example, the motion part right before the end was nice, but could incorporate that idea via compound melody. 1 Quote Link to comment Share on other sites More sharing options...
Rabbival507 Posted July 2, 2020 Share Posted July 2, 2020 @Sepharite You might like. Your piece sounds like a very specific one in this soundtrack I can't manage to recall, but if you listen you might find out yourself. 1 Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted July 14, 2020 Share Posted July 14, 2020 (edited) Very lush and rich harmonies. Somehow I don't get tired of your repeated use of those arpeggios. It's a common way of writing for piano but you didn't over do it. You end your piece on a bVI if I'm not mistaken. It's not that you have to end on the tonic chord to make it sound complete but I think in this instance it's begging for some kind of greater release. Have you tried ending on a IV? Edited July 14, 2020 by PaperComposer 1 Quote Link to comment Share on other sites More sharing options...
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