Yuchanbot Posted August 4, 2020 Share Posted August 4, 2020 (edited) deleted Edited March 21 by Yuchanbot Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted August 7, 2020 Share Posted August 7, 2020 You sure know how to spit these out don't you?! I like this one too. The form is well balanced. Have you ever considered calling your pieces Preludes or something else along those lines? There are many names to choose from in the classical repertoire besides just the form which you're using. I don't think I've ever heard of a classical composer who called their pieces the way you are. Of course, it's ultimately your choice but it might lend your music some more meaning/charm. I don't know why but at the end I hear your last chord resolving to C as if its an unresolved cadence not unlike another reviewer who recently reviewed my work and heard an unresolved major chord at the end. You do use a lot of secondary dominants especially in the B section. Overall a really enjoyable listen! Great job and I look forward to your next 'ternary form'. 1 Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted August 7, 2020 Share Posted August 7, 2020 Lovely use of tensions and apoggiaturas. 1 Quote Link to comment Share on other sites More sharing options...
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