DanJTitchener Posted September 10, 2020 Share Posted September 10, 2020 A relatively short and sedate second movement to my G minor piano sonata. Hope you enjoy it. 2 Quote Link to comment Share on other sites More sharing options...
Rabbival507 Posted September 18, 2020 Share Posted September 18, 2020 Notationwise- you should use several voices instead of one voice with slurs. Regarding harmony- *you might want to use more daring intervals rather than sixths and thirds all the time. I saw some seconds too, but some more could give you... more spice. *You come back to the tonic in it's most complete and basic form far too often in my opinion. You might want to travel around a bit, maybe even transpose, end on different tonics or maybe a tonic with the "wrong" bass note, just to give the feeling that "we're not done here just yet". About that: I believe that: 1. this should be more accurately notated as you have a bass clef but the notes appear on the treble's lines. 2. you might want to spread the chord in a different way around. (bigger intervals on the lower pitch [could give you a clearer sound], maybe add some notes beyond the basic triad...) Same goes here: You can change the clef in the middle of a line. I did like the journey we went through starting around 1:16, though I expected it to take us somewhere else rather than the beginning. Your choice as the composer, those are simply notes of my opinio' *oh and you might want to consider adding more voices and thinking of the piece as made of different voices (like a piece for a choir) it does sound baroque-ish in a way... Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.