OliverSmith Posted September 24, 2020 Share Posted September 24, 2020 Hello community! I wanted to share with you this article about Analysing a piece through spectral techniques which I found very interesting! I started to learn about this topic recently and truly caught me up. What would you recommend me to know more about it? How do you develop a piece like this? Stay safe 🙂 https://www.piano-composer-teacher-london.co.uk/post/analysis-of-a-composition-based-on-three-sound-gestures-through-spectral-techniques Quote Link to comment Share on other sites More sharing options...
maestrowick Posted September 24, 2020 Share Posted September 24, 2020 Check out James Ronig! Quote Link to comment Share on other sites More sharing options...
Quinn Posted September 24, 2020 Share Posted September 24, 2020 (edited) Thankfully no more on this then. I was trying to make sense of it as a genre but most of the stuff I read was like the stuff that comes from the north end of a south-bound bull. I don't think it's useful to describe a genre by describing what it's not. Such examples as I bothered to listen to were pastiche electroacoustic music, nebulous enough to be inconsequential except to a very narrow audience. Having said that, I can be fascinated by traffic noises in town or those on a building site which I've used in concrète. One thing I was hoping for was continuity of some kind (since it's classed as "composed" music). It wasn't there. Maybe I need to listen to a few others. By comparison, Toshio Hosokawa was easy to engage with. Edited October 17, 2020 by Quinn Quote Link to comment Share on other sites More sharing options...
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