AehrasYT Posted October 6, 2006 Share Posted October 6, 2006 I like 6/4. Quote Link to comment Share on other sites More sharing options...
The Music Man Posted October 7, 2006 Share Posted October 7, 2006 The best I find is 6/8, I just seem to get a lot of ideas for this time signature, and the left hand is easier to do. Quote Link to comment Share on other sites More sharing options...
jacob Posted October 14, 2006 Share Posted October 14, 2006 15/16. 15/16 is similar to 7/8 in its "minus-one" relationship to 4/4, but 15/16 goes further, depriving you by a mere sixteenth-note of your expectation. That's only one grouping, of course (4 4 4 3). There are others, (5 5 5) and (5 4 3 2 1) being my favorites. I wrote a snippet in 15/16 for an amazing string quartet and they couldn't really sightread it. (It wasn't fast or anything.) Three years ago I wrote another snippet that was a variation on Mozart, as part of a project here. You can listen over here. Quote Link to comment Share on other sites More sharing options...
eldeni Posted October 14, 2006 Share Posted October 14, 2006 my fav is 6/8, it sounds so smooth and not squared like a 3/4 or 6/4... i think time signatures depend on what melody you came up with at first... i guess is about how you come up with melodies... if you dream about a melody and write it down it could be 4/4 or 6/8, etc... now, technically (fun) i write 5/8 the most... i think it Quote Link to comment Share on other sites More sharing options...
Charlie Gregson Posted October 17, 2006 Share Posted October 17, 2006 My favs: 4/4 7/4 (or 7/8) 6/8 9/8 12/8 Quote Link to comment Share on other sites More sharing options...
Ciel Posted October 17, 2006 Share Posted October 17, 2006 I just for some reason want to make love to 4/4. Quote Link to comment Share on other sites More sharing options...
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