44W74l4 Posted August 1 Share Posted August 1 Hi, I composed this super short piece a week ago. I wanted to compose something in a new key so I chose F major, the themes are basically just scales and triplets. Most of the time I compose to apply some things i heard or read about, in this piece from measure 23-28 i harmonized that ascending bass scale( i didn't know how to do that properly 2 months ago 😮 ) If you have any advice or tips they're welcome as always I hope you like the short tune👍 -Aaron MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Allegro In F Major > next PDF Allegro In F Major Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted August 1 Share Posted August 1 Hi Aaron, 38 minutes ago, 44W74l4 said: Most of the time I compose to apply some things i heard or read about, in this piece from measure 23-28 i harmonized that ascending bass scale Yup I like that ascending bass! Maybe next time you can try a descending one. It's interesting that you're adopting the 7 bar structure (2+2+1+2 for b.1-7) and (2+2+2+1 for b.8-14)for the opening sections two phrases. I find it harder to balance for a 7 bar phrasing than an 8 bar one. Do you try this intentionally? Again in your middle section (b.15-28), you are staying in the dominant C major key, after you establish it in the first section. Maybe modulating to other close keys, like subdominant Bb major, relative minor D minor and supertonic minor G minor will make the piece more varied harmonically. Again in the middle section it consists of two 7 bar phrasing, so I'm sure you are trying it. For b.36, maybe using a ii6 chord there will be nice. Thx for sharing! Henry 1 Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted August 1 Share Posted August 1 It sounds pretty good, but why are you so intent on using chord arpeggios on top... They don't make melody. 1 Quote Link to comment Share on other sites More sharing options...
expert21 Posted August 3 Share Posted August 3 Kia Ora Aaron, Sound very good, vey pretty I can imagine being played in the house of an 18th Century Nobleman. A single caveat: I feel like there was not really enough contrast in this piece, even though it is really short. Perhaps play around with dynamics? Make the first section forte and the second section piano? Thats all. Keep composing and improvign Aaron. Nga mihi, Arjuna 1 Quote Link to comment Share on other sites More sharing options...
Aled Edwards Posted August 3 Share Posted August 3 Sounds good to me, I like the bassline in particular. 1 Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted October 9 Share Posted October 9 Now this one has some real irregular phrase lengths! There's 7 + 7 bar phrases in the main theme in the beginning and also 7 + 7 in the 2nd section after the repeat. I think because of the irregular phrase lengths and overusing step-wise motion the melody can sometimes sound like it's aimlessly wandering about the keyboard. But that might just be how I perceive it. Thanks for sharing! 1 Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.