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Showing results for tags 'parallel fifths'.
TL;DR underneath. When I first learned things about harmony and voice leading, I learned to avoid parallel and direct fifths and octaves, to avoid dissonances, and things like that, because they're against the rules. I reasoned that the rules weren't arbitrary, so they had to be there for a reason; people want their music to be likeable, things that sound bad aren't likeable, therefore, invent rules to keep music from straying into the boundary of bad. But, as everyone knows, one of the first responses to that is, 'But that doesn't sound bad!', and the reply, 'It diminishes the independence