Kian

Please, if you know of a reputable and specialized masterclass in the field of harmony, introduce it here, which is both educational and allows me to apply to prestigious universities and obtain a certificate.

I was truly impressed by your depth of knowledge and clarity of explanation. I would be deeply honored and genuinely grateful if I could stay in touch with you or have the opportunity to take lessons and learn from you directly. Your guidance would mean a great deal to me, and I’m very eager to learn under your instruction. With sincere respect and appreciation, Kian Mahdian

First of all, thank you very much for your analysis. Your review was very comprehensive and meticulous, and I learned a lot from it. It was extremely helpful, and I am very grateful. Could you please explain why, in measure three, the second chord is technically a passing chord but is considered incorrect? Why are students taught to avoid the minor V chord? And in measure three, shouldn’t V necessarily include a B natural? If it has a flat, is that considered wrong? Also, I didn’t quite understand your comment about the alto leap. Did you mean an augmented or diminished leap that you said is forbidden? I have one more question: don’t we have a half plagal cadence, similar to a half authentic cadence that ends on IV? Is it incorrect if a phrase ends on IV? Why must cadences resolve to a tonic? And why is the second inversion of the chord considered wrong? Could you please explain these points in detail?

First of all, thank you very much for your analysis. Your review was very comprehensive and meticulous, and I learned a lot from it. It was extremely helpful, and I am very grateful. Could you please explain why, in measure three, the second chord is technically a passing chord but is considered incorrect? Why are students taught to avoid the minor V chord? And in measure three, shouldn’t V necessarily include a B natural? If it has a flat, is that considered wrong? Also, I didn’t quite understand your comment about the alto leap. Did you mean an augmented or diminished leap that you said is forbidden? I have one more question: don’t we have a half plagal cadence, similar to a half authentic cadence that ends on IV? Is it incorrect if a phrase ends on IV? Why must cadences resolve to a tonic? And why is the second inversion of the chord considered wrong? Could you please explain these points in detail?

Please check the correctness of the harmony in the image and are the functions and cadence correct? Is there an error? Can we call the cadence plagal? If there is a problem with this harmony, please write🫡