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    Please consider reviewing as well as posting. Not only does it help balance the number of works on the site, but it helps you get involved! You may think you have nothing to add, but something as simple as "this was cool because of this part" or "something about 0:35 threw me off a bit" does help. Thanks!
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  1. Board

    1. Announcements and Technical Problems

      Check here for the latest news, report technical problems with the board, or submit your suggestions

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    2. Young Composers Magazine

      All topics related to the Young Composers Magazine go here.  If you are interested in signing up, please join our magazine club.

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  2. Upload Your Compositions for Analysis or Feedback

    1. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    2. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

      2,524
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    3. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

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    4. Piano Music, Solo Keyboard

      Upload piano and solo keyboard works

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    5. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

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    6. Jazz, Band, Pop, Rock

      Upload Jazz, Band or Pop/Rock compositions

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    7. Electronic

      Upload music which makes use of electronic resources

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    8. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Finale and Sibelius Help Desk

      Post questions about Finale or Sibelius here

      658
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    2. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

      223
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  • Music Jotter Windows Demo

  • Works With Few Reviews

  • Topics

  • Posts

    • I uploaded this score a few months ago but at that time didn't know how to generate an audio file. I have finally figured it out and it is easier for others to hear a piece than look at a score. I have made one change from the original. The first four semi-quavers of the viola (second bar of the Haydn chromatic sixths) have been dropped down. Tell me what you think? https://drive.google.com/drive/folders/1INnCAxmURyFeA2Wqxpp83LyIfdhCcsa3?usp=sharing regards
    • I have been orchestrating the Pathetique Sonata. I looked on IMSLP and saw no orchestral transcription. And I figured, if I am going to orchestrate a piano sonata, this would be the sonata to orchestrate because it sounds orchestral with all those chords and octaves, even as a piano solo. Here is what I have done for the Introduction: Where there are 2-3 bass and melody lines, use the full woodwinds and strings(viola I have been using so far as a high pitched bass instrument because often, there are either 2 bass lines that sound fuller when the higher one is in octaves(so viola in octaves with the cello) or there are 3 bass lines) Where there are accents in a loud passage, have the tympani do a drum roll Where there are alternating high and low passages, have the low brass(Tuba, and bass and tenor trombones) double the strings so that the woodwinds can play the entire melody. Have the high brass(alto trombone, C trumpet, and French horn) double the high woodwinds in the alternating passages No violins when the brass instruments are playing, especially if it is fortissimo(just didn't want to risk it not being heard over the brass, and figured that the woodwinds, double bass, cello, and viola would be enough to balance the brass in the quiet passages and the fortissimo passages would have the brass stand out) If writing the pitches as I would normally leads to some of them being out of range for an instrument, then bring the whole passage for that instrument down an octave. If that still has out of range notes but they are too low, don't have that instrument play the passage at all(like the chromatic passage and the triplets before it simply had too wide of a pitch range for the trumpet so I didn't have the trumpet play that passage) Minimize the number of notes only a professional can play well. A few notes above amate
    • his is my favourite quote about composition, from Leonard Bernstein talking about Rhapsody in Blue: "The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together. The themes are terrific, inspired, God-given. I don't think there has been such an inspired melodist on this earth since Tchaikovsky. But if you want to speak of a composer, that's another matter. Your Rhapsody in Blue is not a real composition in the sense that whatever happens in it must seem inevitable. You can cut parts of it without affecting the whole. You can remove any of these stuck-together sections and the piece still goes on as bravely as before. It can be a five-minute piece or a twelve-minute piece. And in fact, all these things are being done to it every day. And it's still the Rhapsody in Blue."  www.minimilitia.mobi/ www.applock.ooo/ www.7zip.vip/ So when you're composing something, and you're bringing ideas together, particularly for something with multiple sections, how do you know whether two ideas belong in the same composition or whether they should be parts of two separate compositions? How do you know whether two separate compositions are so linked that they should really be two parts of the same composition?
    • We're a small team of two German people that manage the first official voice over for the video game Nehrim. In the progress of casting voice actors and remaking some old textures and designs, we realized how bad some of the sounds and the title music aged. That's why we're looking for people to voluntary assist us. We're in need of composers to help us creating about two types of music: remake of the title song. The melody is set, but we want newer elements to create an immersive sound experience. Original Soundtrack creating an atmospheric and immersive bard song that fits the medieval setting. We're already working on a text, yet aren't creative enough to imagine a fitting melody. That's what we definitely need help with. Sadly we're not able to pay any kind of compensation for your time and effort other than giving credits every time the song is displayed and in the game credits since this is on the basis of a fan project. If you're interested in helping us out, pm this reddit account for further information. In case you want to work with us on these songs, we could keep communicating with discord or the classic e-mail.
    • I'm doing a survey and would love your feedback on the questions below: What do you think about the process of purchasing instruments at musical instrument stores? What is your thought process in buying an instrument? Do you consider brand, price, value, etc? How frequently do you buy/have you bought instruments? Are there any inconveniences? How satisfied are you with the process? How can the process of buying instruments be improved? downloader.vip/ccleaner/ www.happywheels.vip/ vlc.onl/ Thanks in advance!!
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