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    Please consider reviewing as well as posting. Not only does it help balance the number of works on the site, but it helps you get involved! You may think you have nothing to add, but something as simple as "this was cool because of this part" or "something about 0:35 threw me off a bit" does help. Thanks!
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  1. Board

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    2. Young Composers Magazine

      All topics related to the Young Composers Magazine go here.  If you are interested in signing up, please join our magazine club.

  2. Upload Your Compositions for Analysis or Feedback

    1. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

    2. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

    3. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

    4. Piano Music, Solo Keyboard

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    5. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

    6. Jazz, Band, Pop, Rock

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    7. Electronic

      Upload music which makes use of electronic resources

    8. Incomplete Works; Writer's Block and Suggestions

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

    3. Collaborative Works

      Work on a piece with other composers

    4. Challenges

      "Little creative exercises for composers to think outside of the box."

    5. External Competitions

      External competitions that are not hosted by Young Composers.

  5. Technological

    1. Finale and Sibelius Help Desk

      Post questions about Finale or Sibelius here

    2. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

  • Music Jotter Windows Prototype

  • Works With Few Reviews

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    • I'd be happy to take a look but I still can't enter as a visitor. As I'm no great internaut I don't belong to many sites at all. Is there a way of getting in without joining up initially? As you doubtlessly gathered from this thread I rely on technology only reluctantly. Paper and pencil doesn't crash. They don't run out of battery. But orchestras expect neat looking scores and part sets and its here that tech excels. Also, the quality of samples now lets a composer experiment with timbral combinations (as long as they're aware of the characteristics of each instrument and don't cheat) without relying too much on the inner ear and crossed fingers. Even so, I keep an open mind on these things.
    • You mean this one: https://musescore.com/? 
    • Ich bin sicher dass es ein schönes Musikstück ist, aber leider habe ich kein Facebook.
    • I don't see the point of scordatura at all, I just don't. I've seen pieces with scordatura and most performers play the notes at standard tuning anyway(example, the C minor Cello Suite by Bach is written in scordatura, but most cellists use the standard C, G, D, A tuning for it). So like, what's the point of writing scordatura if it's likely to just be played in standard tuning anyway? To continue with the C minor Cello Suite example, the A string is tuned down to G in the Bach manuscript. This means that Bb written is Ab sounding, the same kind of transposition you get by using a Bb instrument. This means more thinking on part of the cellist, as usually everything is written in concert pitch unless it is harmonics. And you can get that same Ab in standard tuning on the D string, so like, what's the point. If you're going to transpose 1 string, you might as well transpose the whole thing(which is exactly what I did when arranging Hungarian Dance no. 5 for string quartet, transposing every note). The only case in which I could maybe see the point of scordatura is in the case that the lowest string is tuned down to reach a note that you can't reach with standard tuning. Like getting a low F# out of the violin for example. But even then, if I ran into that, I would just have a different instrument play that F# and not bother with scordatura at all.
    • @Coxi @blongogo @Quinn @ClasiCompose @bkho Whoa, didn't expect so much feedback! Thanks a lot!! 😄 Thanks, got it! I'll add more melodic variation next time. Will do! The score is probably going to be extra ugly, though. Oh, relative to my other stuff it is veeery dark 😄 Thanks! It's samples, but I do try my very best to make it sound real.  
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