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    Please consider reviewing as well as posting. Not only does it help balance the number of works on the site, but it helps you get involved! You may think you have nothing to add, but something as simple as "this was cool because of this part" or "something about 0:35 threw me off a bit" does help. Thanks!

    Check out our Fall, 2019 competition, "Poor Form", in the event at the bottom of the page or our Monthly Competitions forum!

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  1. Board

    1. Announcements and Technical Problems

      Check here for the latest news, report technical problems with the board, or submit your suggestions

    2. Young Composers Magazine

      All topics related to the Young Composers Magazine go here.  If you are interested in signing up, please join our magazine club.

  2. Upload Your Compositions for Analysis or Feedback

    1. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

    2. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

    3. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

    4. Piano Music, Solo Keyboard

      Upload piano and solo keyboard works

    5. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

    6. Jazz, Band, Pop, Rock

      Upload Jazz, Band or Pop/Rock compositions

    7. Electronic

      Upload music which makes use of electronic resources

    8. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

    3. Collaborative Works

      Work on a piece with other composers

    4. Challenges

      "Little creative exercises for composers to think outside of the box."

    5. External Competitions

      External competitions that are not hosted by Young Composers.

  5. Technological

    1. Finale and Sibelius Help Desk

      Post questions about Finale or Sibelius here

    2. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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    • I spent some time writing this rondo/ very loose piano sonata only around a minute long. It's got a development and stuff so that's always a good start. It's kind of inspired by my favorite composer Beethoven. I could hear the main theme maybe being found in his middle period. Hope you guys like it!  https://www.youtube.com/watch?v=cwzGFBPsYe8
    • Thank you for your criticism, for most things I think it will help me out a lot. Regarding the first point, the subject might be alright (to some extent, I deem it somewhat boring - which is one of the main reasons why it doesn't bear the very essence of the piece on its own, due to the fact that I realized too late how disappointing the subject was). I agree the subject isn't the main problem though. Most of my compositions usually lack to a great extent an acceptable degree of structural sense (which may not be noticed in most of which I uploaded to this forum since they're among my worst - at least to my actual point of view). I know I might seem conceited comparing my own works among themselves, but the only real references I have applied to my music (those to be actually conscious of) is Bach, and Of Course I wouldn't dare at all comparing myself to him! (Honestly, who would?) Regarding the second point, it's all true - and despite being aware of my persistent mistakes I'm often incapable of applying counterpoint variatons on my composing, mainly due to the fact that by the time I try to introduce them into a new composition I can't find any convenient place. It's frustrating. Anyway, thank you very much four your criticism, it has actually been so helpful, not harsh at all, and mostly encouraging. Thanks.
    • I think it has no practical use. I'll have to go over it....
    • By suspension, here, I am referring to absence of movement, sound suspended over silence. Notes suspended in the air sort of thing.  I might have to read that book. Is it good?
    • Loof was a typo, sorry. "Look for". Interesting. You mentioned suspensions in part I. But in this context...., suspensions over what?  Unfortunately, we take tonal concepts for atonal systems. A suspension resolves in some kind of chord tone. Here it is impossible. You have to made up some other device to establish a pitch, or pitches, as "rest" compared to other pitches. What happens in I (to my ears, of course) is that the level of tension is similar all over the piece. Currently I'm reading this book...   
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