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Works With Few Reviews
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By Maarten Bauer · Posted
Regarding style. Shamir is talking about styles and I believe that writing music in the style of Bach makes little sense to me other than study (like Mendelssohn did when he discovered and studied Bach in Leipzig.) -
By AngelCityOutlaw · Posted
If that's the case, then why write music at all? -
By MusicianXX12 · Posted
I would like to hear a more pianistic texture, as well as more variety with a progressive approach in the left hand accompaniment. Thanks! -
*** Your skipping rhythm at the beginning could be written using staccatos instead of alternating eighth notes and eighth rests for a cleaner score, but I know you said you wanted to clean up the score. It all sounds nice, so just reassigning who is playing what in some places may tighten it up a lot. Thumbs up! That rhythm was originally in 16th notes, and while it was "snappier" it was inconsistent with the rest of the piece. And I thought that people would see them mixed together and wonder what was I thinking, or maybe I am putting too fine a point on it (which I was). So changing over to 12/8,/9/8 and 6/8 eliminated the inconsistencies and simplified things. But as to the beaming, that I like and will keep. It's very clear! And at the tempo they are pretty much staccato. You'll notice in general the score is not overly marked up. I appreciate your suggestions and I'm going to them a lot of thought. But I think I'll move on to the slow movement for now and get a little distance from the struggles of the first one, to which I will return! Thanks! -
By anthonydaly10 · Posted
This is brilliant! The counterpoint is very good indeed; a couple of moments where it could be improved, but overall truly excellent work. It is consistent in style and you really accomplished what you set out to do. I really enjoyed listening to it and taking a look at the score. https://www.newbaroque.org - Celebrating Baroque music in the 21st century
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