Hmmmm, I dunno. There's a lot of non "fluid" baroque music in existence as well. If one limits one's listening to the top 5 or 6 composers of an almost 140 year time frame one is missing a lot of the variety that was truly present during the baroque period. To my ears BE's work had a lot in common with a more English style of writing, part of that of course coming from purely choosing to use English for the singers :-) That said though it definitely had a vibe much in common with Handel and Purcell etc.
And though perhaps the singing wasn't dead on flawless I admire that such a recording as this exists at all. I certainly know from experience that I never had the number of people involved to pull off the recording take any kind of interest in my baroque music when I was in school, let alone being able to organize them, rehearse them and get a recording made.
It all had to take a lot of work and the result is great. Live performance of new period music is DEFINITELY the way to go.
By the way BE have you checked out the MP3's of Miguel Robaina's ensemble playing his music at:
http://www.voxsaeculorum.org/roster.htm
Its the live performance that makes this new old music truly live!
Again I look forward to hearing more stuff soon!
grant