January 7, 20197 yr Hello everyone. I have found out that Chinese pop song arrangements have these "transition chords" mostly in the last chorus which is the climax part. I have no idea how did they apply it and which theory does it related to. Here are two examples: 1. 有一種悲傷 A Kind of Sorrow This song is originally in the key of G major. In the chorus at 1:04, the chord progression is: Cmaj7 - Cdim7 - Bmin7 - Emin7 At 2:32, the song is transposed up to Ab major, as a climax and the chords are basically (Db - Eb - Cm - Fm) At 2:54, however, the chords are not directly transposed. The bass line goes like: Db - Eb F G Ab - C - F The second bar isn't just a bass line, but the whole orchestra changes which is a complete chord change. Does anyone have any idea what they are? 2. 说谎 Right after 2:22, there are 3 different chords with 3 bass notes played to match the lyrics, which is something similar to the 1st example. There are still a lot of songs which use this technique but I could not think of them at the moment. Please help me to figure out what is this all about. Thank you! Edited January 7, 20197 yr by Xnivx
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