December 9, 20223 yr This piece is much more varied! I love the left hand melody in bar 5-11! However I find bar 17-20 and 23 quite strange, since it is fulfilling a prefect cadence in the right hand but at the same it's a subtonic chord in left hand. Maybe the chord progression can be more functional. Keep writing!
December 12, 20223 yr Very nice use of those fortepianos (though the first one is redundant because you come from f). Another thing is that you could've sustained the tension in the first motive by remaining in G in the second bar. Here: But it's only a lil' suggestion. I liked it! Kind regards, Daniel–Ømicrón.
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