HtWinsor Posted June 15, 2023 Share Posted June 15, 2023 (edited) Hi! These scores were composed after being not near a computer. Enjoy! Edited June 15, 2023 by HtWinsor MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu bagatelle_50.custom_score fugue_8.custom_score > next PDF bagatelle_50fugue_8 Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted June 15, 2023 Share Posted June 15, 2023 Hey @HtWinsor, For the bagatelle 50 you indeed start to develop your material. I like the opening . The tritone F-B in b.11 will better be avoided though if there is no resolve to it. For b.24 maybe it will be better to have a quaver accompaniment in LH. For the fugue 8, the parallel fifth issue as discussed should be addressed since this is suppose to be in strict style. The b.15-28 is just a written out repetition of the first 14 bars. The work is too short to be called a fugue though with only the exposition part of it. Henry Quote Link to comment Share on other sites More sharing options...
Papageno Posted June 15, 2023 Share Posted June 15, 2023 I like your work in A minor! Most composers gravitate to one particular minor key. Henry Kiu likes C# minor I think! I like D minor. The fugue is cool but without counterpoint skills it'll just be a stab in the dark, Henry. Take a look at the basic counterpoint rules and maybe have a little fugetta in one of your bagatelles if you want to explore that type of immitation. Quote Link to comment Share on other sites More sharing options...
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