Skip to content
View in the app

A better way to browse. Learn more.

Young Composers Music Forum

A full-screen app on your home screen with push notifications, badges and more.

To install this app on iOS and iPadOS
  1. Tap the Share icon in Safari
  2. Scroll the menu and tap Add to Home Screen.
  3. Tap Add in the top-right corner.
To install this app on Android
  1. Tap the 3-dot menu (⋮) in the top-right corner of the browser.
  2. Tap Add to Home screen or Install app.
  3. Confirm by tapping Install.

The source - large orchestra

Featured Replies

  • 2 weeks later...

Hi @Symphonic

Part I - there's lots of motion and overlapping ostinati with occasional changes in harmony that provide interest and a sense of slow progression/fruition.

Part II - presents a very tranquil and delicate atmosphere with a steady pace of descending harp arpeggios.  A pause and suddenly the same pace returns with slightly different harmony, this time extended by the marimba in place of the harp.  Oboe and clarinet provide some ascending melodic fragments that generate interest with some counterpoint in the high solo violin.  The descending harp ostinato returns with strings.  The glockenspiel provides some glimmering 4ths at the top of the texture.

Part III - I perceive this one as starting out as a call-back to part I.  I like 11:05 when the Flutes and oboes take over the ostinato, imitating each other - kinda like a rhythmic hocket.  I love the expressiveness and intense orchestration and sudden grand pause.  I perceive the end as being a kind of lament.

Thanks for sharing!

  • 2 months later...
  • Author
On 10/11/2024 at 10:28 AM, PeterthePapercomPoser said:

Hi @Symphonic

Part I - there's lots of motion and overlapping ostinati with occasional changes in harmony that provide interest and a sense of slow progression/fruition.

Part II - presents a very tranquil and delicate atmosphere with a steady pace of descending harp arpeggios.  A pause and suddenly the same pace returns with slightly different harmony, this time extended by the marimba in place of the harp.  Oboe and clarinet provide some ascending melodic fragments that generate interest with some counterpoint in the high solo violin.  The descending harp ostinato returns with strings.  The glockenspiel provides some glimmering 4ths at the top of the texture.

Part III - I perceive this one as starting out as a call-back to part I.  I like 11:05 when the Flutes and oboes take over the ostinato, imitating each other - kinda like a rhythmic hocket.  I love the expressiveness and intense orchestration and sudden grand pause.  I perceive the end as being a kind of lament.

Thanks for sharing!

 

It is a rare treat to read such detailed analysis. Thanks for your comment.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

Account

Navigation

Search

Search

Configure browser push notifications

Chrome (Android)
  1. Tap the lock icon next to the address bar.
  2. Tap Permissions → Notifications.
  3. Adjust your preference.
Chrome (Desktop)
  1. Click the padlock icon in the address bar.
  2. Select Site settings.
  3. Find Notifications and adjust your preference.