Symphony-Concerto in A Major For Electric Guitar and Orchestra

Symphony-Concerto In A Major For Electric Guitar And Orchestra-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Symphony-Concerto In A Major For Electric Guitar And Orchestra-2 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Symphony-Concerto In A Major For Electric Guitar And Orchestra-3 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Symphony-Concerto In A Major For Electric Guitar And Orchestra-4 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Well, I'm 56 and not a young composer now, but I was 28-29 when I wrote this beast...

At least this site seems to be at least alive; a moderator seems to have removed my clumsy double-post, and I have a follower after 20 minutes!  Glad you like my one and only symphony; too much work, I prefer chamber music, songs, piano pieces, etc...

Chew on this, until I get an actual reply:  

Waltz in A Major Free Sheet Music by Robert C. Fox for Piano/Keyboard | Noteflight

I simply LOVE A Major!  And this was written a week ago or so, not in 1997-1998 like the symphony.

No; two weeks ago:  how time flies!

Comment retracted...

One more thing orchestral I can post, an opera overture from 1995.  If I enter any of the opera, probably extract a suite or something if I don't feel like working myself to death!

Overture to the Opera Hypochondria Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

scraggy!!!🤣

A lot of voice leading things that are weird. Very postmodern sounding to. I somewhat appreciate the dissonance. OK, I like the change to pace.  I appreciate the different folk aspects of this piece.  And I definitely like that electric guitar cadenza. A mixing issue with the winds burying the main theme.   We are back at measure 59 with the folk melody    There may be some difficulty at 83 and before that with the double tongue in the brass.  I also like how some of the other instruments double the guitar with the runs.  Why is the viola in the bass clef.  I like the rhythmic interpretation and variation around 111.     I enjoy the guitar solo and also the irregular variation with the rhythm   although that the playback may not support this make sure you write some slurring around.   At 179 a previous theme returns. Along with the folk melody running after that.   Some of the guitar material had returned.  And I like the end.

Good job and I appreciate the amazing structure and the cool material that you have given throughout the first Movement

I saw the viola in the bass clef thing; just a Noteflight glitch, it likes to change things!  It was on a measure rest so didn't make a difference in the sound, but of course I corrected it!