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Quality dramatic writing. I like the sudden fast thirds in the third movement, really captivating.

Some of the more technical passages especially the first movement sound more like Hummel or Clementi at times.

Maybe I'm just cynical but you have quite a few passages that are directly modeled from parts of Mozart's sonatas. They are not out of place but it's quite obvious, I'd imagine, to anyone familiar with his sonatas.

I like the places where your originality shines the most, I'd point out the harmony progressions and transitions I like.

 

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Posted
3 hours ago, PCC said:

Quality dramatic writing. I like the sudden fast thirds in the third movement, really captivating.

Some of the more technical passages especially the first movement sound more like Hummel or Clementi at times.

Maybe I'm just cynical but you have quite a few passages that are directly modeled from parts of Mozart's sonatas. They are not out of place but it's quite obvious, I'd imagine, to anyone familiar with his sonatas.

I like the places where your originality shines the most, I'd point out the harmony progressions and transitions I like.

 

 

Thank you so much, my dear friend. I truly appreciate your attention and your appreciation. This sonata is really like a personal thank-you letter to my beloved composer, Mozart. You will certainly find many elements from his sonatas, as you said, and I tried to stay as true to his style as possible. I have a special fondness for the Andante — I believe it’s the most inspired of all the movements, with passages that even I can hardly believe I managed to write, and it feels like the part that carries something of myself.

 

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