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After undergoing plenty of struggle to find a proper textual setting capable of matching the rhythmic patterns of this vocal fugue, I decided to settle for an altered version of the "Libera me" movement commonly found on Requiem masses.

Despite the minor changes required for the text to fit the subject of the fugue, its treatment throughout has been a conscious attempt to make it as audibly intelligible as possible, as opposed to the vast majority of my previous vocal works, where any regard for the text was completely secondary to the music.

 

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