Alex Weidmann Posted yesterday at 02:00 AM Posted yesterday at 02:00 AM (edited) Seasons Greetings all! Here's a little something I'm cooking up for a concert next year. It's based on the Epitaph of Seikilos, which is the earliest surviving complete song. I tried to give it a flavour of Antiquity, and to create unexpected harmonies. Haven't come up with lyrics yet; though it will start with the original Ancient Greek text translated into English. Maybe my piano part is a bit too thin? Or perhaps I should keep it sparse? The notation is intended for midi, and I'll be adjusting the dynamics upwards by at least one degree for the musicians. When I make the final score, I'm intending to write out the spread stacked chords in full as arpeggios. Edited yesterday at 02:04 AM by Alex Weidmann MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Seikilos Epitaph variations (for piano and soprano) #21 > next PDF Seikilos Epitaph variations (for piano and soprano) #22 1 Quote
Henry Ng Tsz Kiu Posted 1 hour ago Posted 1 hour ago Hi @Alex Weidmann! On 12/30/2025 at 10:00 AM, Alex Weidmann said: tried to give it a flavour of Antiquity, and to create unexpected harmonies. Indeed the harmony creates unexpected effect. I like the modulations throughout. At b.56 when you move to E flat major I thought you were using the clichetic "up an semitone" modulation just like many boring pop songs do, but you prove me wrong haha. On 12/30/2025 at 10:00 AM, Alex Weidmann said: Maybe my piano part is a bit too thin? Or perhaps I should keep it sparse? I don't think it sparse, especially when played in real life it will be full of pedals and the texture would not be thick at all. Only the scoring would be a bit confusing, I think you can simply write those arpeggios out in 32th notes and then have a pedal under it. This will create the same effect and without the arpeggio signs haha. Thx for sharing! Henry Quote
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