15 minutes ago15 min Thank you for sharing this — I listened to the recording and followed the score, and the opening of the A section really charmed me: the light, staccato melody in 3/4 over those steady chordal figures in the lower staff gives it a clear, dance-like lift, and the drop to piano with a crescendo in bars 3–4 is a lovely touch. I also enjoyed the contrast in the B section from bar 16, especially the longer running passage in bars 22–27 under the big slur, which builds nicely before the Vivace A material returns. If I could suggest one thing to explore, it would be varying the left-hand accompaniment pattern a little more in the return of A, so the reprise feels fresh rather than identical — but as it stands, it is a graceful, well-shaped little minuet.
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