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  1. Today
  2. Wieland Handke
    I would enjoy to participate in this event, too. I hope that I can accomplish my contribution within the next two weeks. Looking forward for listening and reviewing the contributions of other participants
  3. TristanTheTristan

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  4. TristanTheTristan

    Hello Tristan. Bye Tristan.

  5. TristanTheTristan

    Hi!

  6. TristanTheTristan
    I also might not be able to complete it by the deadlines... Guess I will do the same as you.
  7. frush started following Echoes of Flame - Concert Band
  8. frush
    This is a very cool piece! As a woodwind player i like all of the runs, one thing is that the first clarinet part is so high it’d be hard to play all those notes accurately so i’d recommend replacing it with Eb clarinet where it’s in a better range!
  9. EmotionallyChargedMusic started following My first rock/metal type music
  10. EmotionallyChargedMusic
    I found the soundtrack cd of my old red alert 2 and have been captivated by it and have been listening to it for the last few weeks. And so I decided to make a similar music with some synths and overdriven guitars
  11. Mooravioli started following 2025 Christmas Music Event!
  12. Mooravioli
    hello peter, I am interested in joining as well
  13. Vasilis Michael
    Dear friend, thank you so much for taking the time to comment on my sonata, and thank you as well for your appreciation and for liking it so much. It was my greatest challenge so far to write a large classical sonata, and I’m incredibly happy that I managed to do it — and most importantly, that people who have heard it enjoyed it. The truth is, when I compose I don’t really think much about which modulations I’ll use; the nature of the piece and the themes themselves somehow guide you, helping everything flow naturally. It’s something truly inexplicable and magical. I worked quite a lot on all the movements, and I’m extremely fond of the minuet and trio — especially the trio, which I believe is, both technically and musically, the best thing I’ve ever written. It’s as if an invisible musical force helped me create it the way I did. At the moment I’m taking a long break from composing because I had become a bit exhausted, and I need some time to recharge before starting up again. Of course, it’s also a matter of limited time. The programm I use for the score is dorico 5 elements. I'm still learning it . Is very user friendly I recommend it. As for a piano concerto, I would love to write one — it would be a dream. It’s my favorite genre. I haven’t planned to start one yet, but maybe I’ll attempt it in the future. Once again, thank you for your kind words.
  14. EmotionallyChargedMusic
    inspired by Adrian Von Ziegler check him out my fav Celtic artist
  15. Fruit hunter
    That’s true with the first clarinet part there’s sometimes where it gets very high. If I remembered correctly, I added some optional lower octave material just in case if that gets too much for them.
  16. PeterthePapercomPoser started following Jesus was Born this Day
  17. Vonias started following Jesus was Born this Day
  18. Vonias
    "Jesus was Born this Day," is a hymnal song that includes, Euouae. Haven't heard the amen since the medieval times, thought I'd bring it back to present. The chords are adventurous and don't make much sense. However, this was the palette that I wanted for artificial intelligence to include. AI, did pick up the tune very well, except for the Euouae that was wanted for Descant. Anyone know how to do that in a prompt for AI? I'm out of ideas, I even used the braille's "In accord," to get AI to pick up the command. Other than that, the chorus was botched to good effect, read as the melody after a vowel chant. In effect, AI made a new chorus. Overall, the song is represented well, and I am happy with that. Enjoy! Jesus Was Born this Day_Harper.mid
  19. Crescent Roulade started following 2025 Christmas Music Event!
  20. Crescent Roulade
    yeah :D
  21. Crescent Roulade
    Crescent Roulade joined the community
  22. Fugax Contrapunctus
    And I thought those low D-sharps on the basses were far too excessive! I couldn't even bring myself to sing below a very awkward-sounding E despite technically being a baritone. I wonder how potent of a voice a deep bass singer must have for such a B-flat to be remotely audible as pitch instead of pure vibration. To me, such extended ranges seem far more extreme than the usual alto-contralto range, which I believed is usually cited to reach down to an F below the staff. In any case, the concern is understandable. This fugue was originally set for D minor, as much of a nod to Mozart's heavy association of death with this particular key as a matter of convenience in order to adhere to the standard ranges for vocal music, which as we know often tend to require more conservative estimates in choral settings. Unfortunately the digital choir soundbanks I'm using struggled far more just a semitone above in certain passages, with certain octave leaps in the tenor part sounding especially screechy, so in the end I was forced to choose the lesser flaw and thus had to resort to lowering the whole piece to its current key. I hesitate to even call it a double fugue, as what might appear as the 2nd subject is in fact merely derived from the first, and I certainly would not dare label it a triple fugue, despite the relatively minor changes undergone by the subject that would normally not be explained by a conventional tonal answer. The stretto treatment is undergone first by what could be considered the 2nd subject following its own development section, and only then does the stretto for the original subject come about, thus helping cement an overarching ABA' superstructure that unifies the piece as a whole beyond mere exposition, development, stretti and codae in cycling motion. As for the Christmas Music Event, perhaps I might be able to submit a proper piece before the deadline. As of lately I've been considering a 5-part motet rendering of "O Magnum Mysterium", though I may consider other related texts to the same effect. In any case, I'll let you know in the dedicated thread if I manage to finish anything suitable in time. Thank you for your review!
  23. PeterthePapercomPoser
    Hi again @Fugax Contrapunctus! Isn't it wonderful that human voices don't have particular set-in-stone range limitations? I'm working on a Christmas piece right now that requires the Basses to go down to a Bb below the staff so I'm probably going to have to transpose the whole piece up a step so the lowest note is a much more manageable C. You have the Altos in this going down to an F# below the staff which I think is manageable despite the commonly regarded lowest note for them being a G. I love the treatment of the fugue subject and the tempo changes here! Is this technically a double or triple fugue? Or perhaps a series of fugues, with a stretto treatment towards the end? Thanks for sharing! Will you be participating the in the Christmas Music Event?
  24. PeterthePapercomPoser
    Hello @TheGreatEscaper and welcome to the forum! I love this Mazurka-like prelude you've written! It has so much individuality and character! It reminds me at different points of both Chopin and Prokofiev. The chromaticism is very dark and ominous. The fact that you play your own works is great as well (and apparently you've already played @ComposaBoi's sonata as well! Great job and it's great to see this kind of interaction! You're an asset to the forum!) Formally the piece is a perfect little miniature. The melody sounds like something out of another world when it comes in on the 7th and 11th of the tonality - it's very subversive and surprising harmonically and anything but ordinary. And the accompaniment is like its own melody too that sets the stage for a very ghastly piece that would've been appropriate as a Halloween-themed piece. Thank you for joining us and for sharing this prelude and I look forward to listening to the others! P.S.: Thank you for posting just one piece into the forum to let the reviewers get just a taste of perhaps one of your better pieces instead of suddenly bombarding the forum with a bunch of music indiscriminately! You don't know how many composers do this and it really annoys the people who commonly review others' works here because we don't know which piece to listen to and it turns the forum into a dumping ground for works.
  25. Alex Weidmann started following Sonic diarrhea
  26. Alex Weidmann
    Great use of percussion in this work, including a load of techniques and instruments I'd never heard of. I hope the propane tank is empty; otherwise you could have an explosive ending!
  27. PeterthePapercomPoser
    Hello again @Vasilis Michael! What can I say? This is a masterful sonata that I can enjoy from beginning to end as if it's a masterwork from the classical era! Honestly, the only part I ended up skipping through is the double exposition in the 1st movement! You are steeped in classical pianism and it shows! There isn't a single awkward moment nor bad transition in the whole piece! The tonality is so free flowing and adventurous! It's amazing that you managed to start and end each of the movements in the same key - the freedom of the chromaticism is something I'd expect of free-tonal pieces that modulate when they want to without any obligation to stay in any particular key. The abundance of themes is also very Mozartean. And they are very delightful and musically interesting - I wouldn't exclude nor add to any of the movements in any way. I think they are perfect just the way they are. I don't usually like slow movements but the peace and calmness and the space in your 2nd movement was captivating and adept - it kept my attention throughout and has a warm place in my heart. The minuet and trio was also very expert - I loved the E7 b9's! All your phrase extensions are also perfectly calculated and none are too long nor too short. But my favorite movement is for sure the 4th and final - I loved the cross relations! And I think your chromaticism really reached new heights in the final movement. It also has a somewhat Mazurka-like character to it that I really like. Overall - I cannot say enough good things about this piece! And the fact that you provided a very polished final score engraving for when you compiled the whole sonata in the final YT video is great! What program did you use? Thanks for sharing and by all means keep going! Do you ever plan on writing a piano concerto?
  28. ComposaBoi started following Prelude No.16 in Bb Minor 'Masquerade'
  29. PeterthePapercomPoser started following Piano Sonata no 2 in C major ( All movements )
  30. frush started following Sonic diarrhea
  31. frush
    This is a really good piece!!! Interesting name lol 😂, i did see some impossibly high clarinet 1 stuff, but i think if you replaced it with an Eb clarinet you’d be fine! Awesome piece
  32. BipolarComposer
    It reminds me of 20th century neoclassical. Very nice.
  33. Yesterday
  34. Vasilis Michael
    Good evening again, dear friends. Although I have posted all the movements of the sonata separately, here I am sharing the entire sonata, where you can listen to all the movements one after the other for a better experience and appreciation of the work. It may not be something innovative, but it is the musical language that expresses me, and that musical language is classical pre-romantic. I hope you enjoy it. Thank you once again.
  35. frush
    I like how creepy it sounds and the dissonance you use! Kinda reminds me of shostakovich!
  36. frush
    I like how the brass is offset from the beat sometimes! and that little piano thing at the end is cool!
  37. TheGreatEscaper
    Hey everyone 🙂 I've been slowly plugging away at a cycle of 24 preludes. I got pretty slow with this (ending up only writing like one prelude per year for the past couple of years) so hopefully I'll pick up the pace now that I'm pretty close to the end (8 left to go!) Bb Minor is maybe my favourite key signature, so it was pretty hard to decide what this prelude would be like. The theme is 'Masquerade', and I think the personality of the piece is quite hard to pin down, a mix of sarcasm and earnestness. Hope you enjoy! 🙂 this is my first piece I'm posting on this forum, but obviously feel free to check out anything else on my channel + especially the first fifteen preludes in the cycle so far, haha
  38. PeterthePapercomPoser
    I couldn't help but fall in love with this track from Silksong - Cogwork Dancers after 8-bit music theory covered it:
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