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PaperComposer, thank you so much for your kind review. I use musescore and so in the intensely contrapuntal sections (e.g. m.117 where all the voices are in different keys that are major 3rds from each other) I would usually place an invisible accent on the theme introduced in either m.107 (which is an alteration of m.49) or the opening theme. This way the counterpoint is not sounding too messy without sounding too clean either? Not sure if that makes sense. About the bashing thing, well it depends on where you are. From m.117 to m.122 I would like the 'bashing' sound but only on the left hand. At m. 123 onwards I would probably not want such a sound. Here instead I would like to to 'try' to sound elegant (hence my marking of dolce e espress. which of course is almost impossible to pull off. This passage would then come off as quite sarcastic or mocking). I am curious as to what you mean by the chromaticism being wacky. I'm not defending my use of chromaticism, but if something doesn't go with the rest of the work, I would like to do something about it. Thank you so much for your comments! I am always glad when someone points out a way that I can improve upon my works.