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Very cool as always, Luis. I feel like a bit of an amateur with denser counterpoint, so it's always welcome to check out pieces where it's at the focus. Thanks for sharing, looking forward to dissecting this one deeper!

The counterpoint sound is nice, good job! I find there are a number of parallel octaves in the counterpoint. For example, in bar.2 beat 2 between tenor (blue) and bass (red), hidden octaves in bar 2 last beat to bar 3 between tenor (blue) and bass (red), parallel octaves in the last beat of bar 3 to bar 4 between tenor and bass. Subsequent appearances of the cell also repeat the parallel octaves. Also the harmonic progression from bar 19 to 20, with C minor to C major, seems not smooth enough for me. Maybe adding intermediate f minor - G major progression will be smoother? My "suggestion" is from someone old-schooled! Writing counterpoint, let alone triple invertible counterpoint is tedious and hard to do so! The sound is really well!