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Showing content with the highest reputation on 06/27/2025 in Posts

  1. Hi everyone! This is my first piece for full symphony orchestra, first post, (and my first "completed" composition: a lot of firsts), and I'm definitely still learning how to orchestrate better, create nicer textures, and pace my compositions/develop melodies (all for fun, I just like listening to music and playing a little bit haha, so I don't have any formal composition background). This piece was inspired by various Romantic composers (with quotes from my 3 favorite symphonies--one is really obvious but I'm interested to see if others will recognize the snippets I tried to include) and includes two central themes. I'm open to all the advice I can get! Thanks for your time! PS. my score is really chaotic and I still need to clean up all the accidentals and stuff.
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  2. Just finish watching 'I'm Still Here': https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://m.imdb.com/title/tt14961016/&ved=2ahUKEwjBqIS0-JCOAxVNha8BHfHzC3MQFnoFCJABEAE&usg=AOvVaw3YLv-6DqJYJVjZlaaEP0Qb I would say, the best music in the film are not those from the pop music tracks, but rather from the agonies and screaming from the tortured...
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  3. Hi @MJFOBOE, thank you for listening and your question! I like listening to a lot of late-romantic symphonies (Mahler, Sibelius), and I wanted to compose something that sounded natural to me. This piece tries to incorporate elements of symphonic works that I like (harmonies, chord progressions, etc.).
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  4. This is a work in the post-romantic tradition ... yes, I hear the excerpts from other works. It reminds of the lush romantic scores of Erik Korngold. However, I have a question, what motivated you to compose this work in this style? Mark
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  5. Made this account just so I could upload this and remind y'all never to end in minor : ) Also accidental Shostakovich in bar 3.
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  6. A minimalistic version I made Enjoy! Counterpoint Harmony Challange.mp3
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  7. Interesting. Your version sounds great. Although for me, that Gb “desperately calls” for an F#, which is part of the dominant chord. Best regards.
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