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Hi Tunndy, I notice your glissando lines have gone a bit haywire in Bars 54-55. Also in Bars 23 and 41 Violin II, you should flip the direction of the note stalks to make it clear what's going on there. Same in Bar 61 Violin I. Bar 55: some rests need deleting in the harp and Violin I. Same in Bar 66 Bass Drum, and Bar 69 various instruments. Plus a few more places where you have unnecessary rests. Bar 74: voices need tidying. Other than that good job! Also liked your recent Liszt orchestration of "La Campanella".

it's been a while since I posted here, here's my attempt at covering Bohemian Rhapsody 😁 Bohemian_Rhapsody for orchestra.mp3 Bohemian_Rhapsody orchestra.pdf

Outstanding orchestrator and Better than thatguy (in this case I've outbeaten Julius Fucik and Leo Chernetsky and that was my goal) for "March Hare" march

I'm surprised no one wrote anything here YET, so: I'm a history buff, theory buff and orchestration buff I got performed just once... Am a period composer (of late 19th century and early 20th century dances) Brass aficionado and woodwind aficionado Dance music impresario for that matter Amorous romanticist Programmatic composer I don't know if 1930's cartoon music counts for "film buff" or "film music enthusiast" but I am a buff of that And I almost composed the soundtrack to a pastiche of that but that thing was cancelled so I'm not even a debatable "film composer"

A high tension piece that wants to resolve but ultimately fails in doing so. We almost get there at 0:20. It makes me wonder if you don't really want to go into teaching, or if you have anxiety over the prospect! Overall, I'd say one of your more interesting castings. Honestly, I was surprised that you resolved this at the end.

first time I ever composed for an orchastra, would love to hear feedback

Mother and Son 12-9-25.pdfHi all, Once again I resurrected an old work which needed a dusting off and a new look. It's called Mother and Son ... I describe the playful and sentimental interactions of a Mother and child as they play/interact in the park. Mark