Jump to content

OrchestralOutcast

Old Members
  • Posts

    1
  • Joined

  • Last visited

About OrchestralOutcast

Profile Information

  • Gender
    Male

OrchestralOutcast's Achievements

Apprentice

Apprentice (3/15)

  • First Post
  • Eight Years in
  • Nine Years in
  • Ten Years in!
  • Week One Done

Recent Badges

0

Reputation

  1. A good friend of mine is a violinist and I have decided to write him some sort of showpiece for his birthday late in January. I figured this wouldn't be too hard to pull off, but I've been having trouble getting started on the project. I myself am a proficient violist (working on the second movement of the Walton), but, of course, violists aren't generally the same kind of virtuoso speed demons that college-age violinists are. Anyway, I am wondering how composers write virtuoso showpieces for instruments they don't play. I assume it takes some level of collaboration with the artist, but from where does one draw inspiration for such a piece? Should I just start writing, then add all the virtuosic fluff on top? Here are some of the criteria I have set for myself: -very showy but with some level of musical depth (so it sounds like it was written by a good composer, not Paganini) -violin with piano accompaniment -utilizes a good number of virtuosic violin techniques (left hand pizzicato, ricochet, some tricky double stops, etc.) -incorporates some of my friends suggestions/requests (he likes Paganini, Saint-Saens, Shostakovich, and blue-grass, fiddling, and jigs) Any ideas or suggestions are much appreciated.
×
×
  • Create New...