TaliaV

Thank you U238, for helping me with my roman numerals, and thank you to everyone for your contributions. Sarastro's first progression and .fseventsd's first progression worked best with my composition, but all the progressions were very helpful to me. U238 1. c - Eb - Ab - D7 (i - III - VI - II7) 2. c- Bb - Ab - D7 (i - VII - VI - II7) .fseventsd 1. c - g - a half diminished 7 - D7 (i - v - #vi'7 - II7) 2. c- Bb7 - Eb - D7 (i - V7/III - III - II7) 3. c - Ebaug - g - D7 (i - IIIaug - v - II7) Sarastro 1. c - g - a7 - D7 (i - v - #vi7 - II7) 2. c - C - F - D7 (i - I - IV - II7)

Thank you

Hello. What songs do you think would sound similar to yours, when it is complete? I can then make some suggestions, that hopefully would be helpful.

i - _ - _ - II7 Hello. I'm looking for 2 different chords, to go between the tonic and the secondary dominant. I would like the chords to have a somewhat convential relationships, like iv - V7, i - iv, and V7 - i, but I'm not restricted to these. The only chord I do not want after i, is iv, but other than that, feel free to post any suggestions. Thank you. Here are some of my solutions, i - V7 - i - II7 (The simplist solution i've found.) i - V7 - bVI - II7 (A little more interesting. The V7 resolves deceptively and then bVI, acts as a neopolitan chord to II7.)