Kalirren

Man, is this world -small-! I do a search for "faure 'piano quartet' analysis" on Google and find someone talking about a Piano Quartet in c whose second movement was published in March. I think to myself, "wait, didn't I record a first movement in, like, February?" I follow the link, and lo and behold, it's you, Andrew, it's you! Second movement, eh? Do you have a pdf of the score? Or maybe I should just get Sibelius, but I don't know where. Meanwhile, I shall have to satisfy myself with the midi. Check the midi - maybe it's just me, but the file I got seemed corrupted. Just listen to the track - some distance in, there's a large and persistent bass dissonance (sounds like piano tremolo?). I don't think you put it there: you may want to try to repost the midi. And in the case you -did- actually mean it, the midi certainly doesn't do it justice. In any case, I haven't seen the score, so I really don't know. From what I can make out over the noise my computer is giving me, though, I can still recognize a lot of what comes through from the first movement. Impressively done: it works rather well. I'm sure the second movement's structure would be much more intelligible with real dynamics and timbres instead of a midi. The organization reminds me of late Schubert, although the most daring and definitely non-Schubert thing to me is that you start in c and end in f. I still don't quite understand it, which is why I'm going to wait until I see the score before I nitpick. Since I know the old idea for the fourth movement, I'm really interested in hearing the Scherzo. I'm also interested in why you're rewriting the finale. Hope to hear from you, Daniel Poon