jhollab1

What a great piece! I definitely hear some Kapustin influences as 'Sepharite' said, mixed with some Ornstein/other 20th century Russian piano composers, very creative and fun to listen to! I definitely love having music composition as a hobby as well, thanks for your humility and true love of the craft

Thanks so much for the feedback! The ending is definitely something I been thinking about with this piece, sometimes I really like it and it just feels really calming after all the chaos, other times something about it is anti-climactic (like said LordNemrod-seems to be not what's expected/came out of nowhere). I'll sleep on it ParanoidFreak-Definitely a minimalistic influence...the section starting at m. 118 thinking back is just like John Adams piano music.

I just noticed I forgot to put text under the choir pitches at some points, just disregard that for the moment....it's all 'Alleluia' anyway lol

An SATB (Divisi) choral piece I wrote to a beautiful poem by Garcia Lorca from his 'Nocturnes'. I hope one day to set the rest of the poems. The poetry for this piece reminds me of gentle wind coming through a window at night near a beach with the moon in the distance (the other poems in the set talk about the moon which is maybe why that's on my mind). Any advice/critiques/criticisms welcome and wanted! Un brazo de la noche

This is a piece with an instrumentation I thought was unique for sort of goes together in a strange way. I love women's choirs and this is the first piece I've written for them. Any advice would be GREATLY appreciated. Alleluia (for Women's Choir SA Divisi and Woodwind Quartet)

This is a solo piano piece I wrote pretty quickly, so the form/structure seems a little sporadic. Any advice on specific notational things to the overall form and structure of the piece would be greatly appreciated! I was thinking of making some sections a bit slower, but overall the piece is intended to be somewhat episodic and 'fantasy-like'. El Otro Lado