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Two Preludes and Fugues for String Quartet

Testarossa
in Chamber Music

Featured Replies

Here you go friends.

Jeppe

Adagio und Fuge in c-moll.mid

Adagio und Fuge in g-Moll.mid

Hello Testarossa, I must say that I am very impressed. I enjoyed the first prelude the most out of all four. I noticed a strong baroque style that occasionally turned classical. In some parts I was even reminded of Renaissance voice leading, subtle hints which I thoroughly enjoyed. I also enjoyed the rhythms you used; like me it seems that you avoid even rhythms.

Also I want to congratulate you for knowing when to use counterpoint and when to use a more harmonic approach. A harmonic passage can make subsequent counterpoint even more spectacular, something you clearly understand. I hope to one day develop my skills as much as you have developed yours.
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