wind quintent

please give me some feedback on my wind quintent.dynamics are players discerition.

quintent 2.MID

quintent 2.MUS

I do welcome feedbacks

A couple things. I didn't think a flute could glissando. I liked the chromatic harmony, but the diatonic harmony was a bit too eceltic. Woodwinds to my ears always work with alot of chromaticism. This is not the case for say Trumpet (I mean it can work just like anything could work, but I've heard so many great 20th atonal flute and woodwind pieces while I never have really heard a trumpet work well with 20th centurism other than in an orchestra), so I woul really suggest epxanding those chromatic ideas as they are perfect for your five instruments. One of the key pieces of woodwinds and more the flute than anything else is their ability to easily play incredibly fast. You only seem to use that a few times which is fine. Also their are times when the Oboe player would die of suffocation.

The thing that bothers me the most though is that you came up with this great motive (the first half of measure 10 for the Horn in F) and didn't expand on it at all. At least that's my opinion.