Rules of Counterpoint

I'm looking for the rules of counterpoint laid out in detail for someone who

is a bit slow. I've seen then previously such as no parallel octaves etc. but

when do I have concealed parallel octaves? Do I have to wait a certain amount of time? Examples showing what breaches each rule

including subtle infractions would be helpful.

My best advice is to find the Fux counterpoint book, either in paper back or download it. I'm sure you could find other counterpoint music theory sites.

I'm sure others will chime in with Adler, et al., but scroll through the counterpoint exercises here and learn a bit :)

try to get your hands on this book called 'The study of Counterpoint' by Johann Joseph Fux..

it explains in detail 'species counterpoint'..it gradually becomes more complicated through the different species...

They are both right. Species counterpoint (especially by Fux) is the best method of learning basic counterpoint. It is VERY slow and would suit your needs perfectly.

Thank you very much, I will get the fux book.

Can I make another suggestion: the Schoenberg book "Preliminary Exercises in Counterpoint". Remember, Schoenberg was an absolute master of traditional music genres. His book is succinct and well-written, plus he gives many, many examples. I've been using it in my teaching for some time.

Can I make another suggestion: the Schoenberg book "Preliminary Exercises in Counterpoint". Remember, Schoenberg was an absolute master of traditional music genres. His book is succinct and well-written, plus he gives many, many examples. I've been using it in my teaching for some time.

I second that as well!

I have read the text and it's wonderful. Anything by Shoenberg has viability.