March 6, 201214 yr I think Behind Bars is AMAZING. I think it covers pretty much every possible scenario. We use it at IU.
March 6, 201214 yr I always like textbooks and info on how they are received. I don't know them. Does the Caplin only cover classical forms, or also talks about contemporary forms?
March 6, 201214 yr Author Cramer - yeah only Classical form since his analysis is heavily tied to common practice harmony. But still, it is a great impetus to think how you could apply his concepts to contemporary music.
March 6, 201214 yr Cramer - yeah only Classical form since his analysis is heavily tied to common practice harmony. But still, it is a great impetus to think how you could apply his concepts to contemporary music. sure. but atm I feel like I can mainly think in CP forms, so I welcome anything novel (which includes neo) :)
March 7, 201214 yr Author Well there is Perle's Twelve Tone Tonality - wherein he shows how tonal centers are developed using serialism's techniques which in turn leads to larger structural forms.
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